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The Accomplices LLC

Civil Coping Mechanisms / Entropy / Writ Large Press

  • About
    • About The Accomplices
    • Who We Are
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    • New/Forthcoming
    • Bestsellers
    • All Titles
  • Resources
    • Teaching Guides
    • Where to Submit (Entropy)
    • Trumpwatch (Entropy)
  • Projects
    • Current Projects
    • Past Projects
  • Opportunities
    • Partnership
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Yearly Archives

2016

a shadow map

Contributors for ‘A Shadow Map’

by CCM December 27, 2016
written by CCM

I’m so pleased to announce the contributors of CCM’s anthology, “A Shadow Map.” These essays and poems are not only just compelling, but harrowing stories of sexual assault. None of these pieces were easy to write–and were born out of traumatizing and terrible experiences. I am beyond amazed by the words of these incredible writers and survivors–and am eternally grateful they shared their stories with the CCM community as a way to connect with others–and help show that there is no one kind of survivor, we are all survivors.

-Joanna C. Valente


Hillary Leftwich is a native of Colorado and currently lives in Denver with her son. She is the co-host for At the Inkwell Reading Series in Denver and serves as the associate editor for The Conium Review. Her writing appears in Hobart, Matter Press, NANO Fiction, WhiskeyPaper, dogzplot, Gone Lawn, decomp magazine, Smokelong Quarterly’s “Why Flash Fiction?” series, the Review Review’s “Views on Publishing,” and other journals. She has a chapbook of poems forthcoming from Mutiny Info Press in 2017.

Prerna Bakshi is a two-time Pushcart Prize nominee and the author of Burnt Rotis, With Love, a debut full-length collection of poetry from Les Éditions du Zaporogue (Denmark), long-listed for the 2015 Erbacce-Press Poetry Award in the UK and cited as one of the ‘9 Poetry Collections That Will Change The Way You See The World’ by Bustle Magazine in the US. Her work has been published widely, most recently in The Ofi Press, Red Wedge Magazine, TRIVIA: Voices of Feminism and Prachya Review: Literature & Art Without Borders. More here: http://prernabakshi.strikingly.com/

Mila Jaroniec is the author of Plastic Vodka Bottle Sleepover (Split Lip Press, 2016). She is the editor of drDOCTOR and her work has appeared in Playboy, LENNY, Hobart, Joyland, Catapult and Vol. 1 Brooklyn, among others. She lives in Ohio with her partner and son.

lauren samblanet is a poet who is working on her m.f.a. at temple university. she is also a writer for thinking dance. her poems have been published in the vassar review, walkabout and adanna, and a dance-radio collaboration with skye hughes was published on colorado public radio’s website.

Erin Taylor is an American writer. Her writing often deals with her own experiences and trauma. It is usually poetry, with some exceptions. She has a chapbook of poetry OOOO out through Bottlecap Press and she’s the interviews editor over at Maudlin House. She is writing a book on loneliness. Her work can be found at erintaylor.tumblr.com and she tweets at @erinisaway.

Stephen Furlong is a graduate student at Southeast Missouri State University located on the Mississippi river. His abuse, at the hands of an older male cousin, happened five times over a three-year period. His current creative project is a manuscript of poetry following the abuse as lensed by the five stages of grief. In addition to receiving nomination for Best New Poets 2016, his poetry and reviews have appeared or are forthcoming in the Chariton Review, Open Minds Quarterly, and Big Muddy, among others.

Lillian Ann Slugocki, founder of BEDLAM, has been nominated twice for the Best of the Web, a Pushcart Prize, and winner of the Gigantic Sequins prize for fiction. She’s been published by Seal Press, Cleis Press, Heinemann Press, Newtown Press, Spuyten Duyvil Press, as well as Bloom/The Millions, Salon, Beatrice, THE FEM Literary Magazine, HerKind/Vida, Deep Water Literary Journal, The Nervous Breakdown, The Dr. T.J. Eckleburg Review, Blue Fifth Review, Non Binary Review, The Manifest-Station, Angels Flight * literary west, Entropy, Volume 1 Brooklyn, Sweatpants and Coffee, and The Daily Beast. She has an MA from NYU in literary theory, and has produced and written for Off-Broadway and National Public Radio. How to Travel With Your Demons, a novella, Spuyten Duyvil Press, 2015, chosen for the Doctor T.J. Eckleburg Book Club. Her other books are The Blue Hours, and The Erotica Project, co-author, Erin Cressida Wilson. Anthologies include Wreckage of Reason 2: Back to the Drawing Board and Dirty Girls.

Sloane Eliot Mariem is a Florida-raised, Brooklyn-based poet exploring trauma, recovery, and the formation of new relationships in the wake of domestic violence. Her work has appeared in Vending Machine Press, Calamity, Electric Cereal, and is forthcoming in The Fem. She has read in NYC as part of the Vapors reading series.

Maggie Queeney reads and writes in Chicago. Her work can be found in Copper Nickel, TYPO, Southern Poetry Review, The Southeast Review, and Conjunctions.

Christopher Morgan is a Lebanese American prose poet who grew up in Detroit, the Bible Belt of Georgia, and the San Francisco Bay Area, where he currently lives and co-manages Nostrovia! Press. The Reviews Coordinator at Alien Mouth, and the author of two chapbooks, “Shadow Songs” (Sad Spell Press 2015) and “Fables with Fangs” (Ghost City Press 2016), he loves hiking in the redwoods, aphorisms, and happy hour margaritas.

Geula Geurts is a Dutch born poet living in Jerusalem. She completed her MFA in Poetry at Bar Ilan University. Her mini-chapbook “Like Any Good Daughter” is forthcoming with Platypus Press. Further work has appeared or is forthcoming in Tinderbox Editions, Rogue Agent, Hermeneutic Chaos, Cactus Heart, Minerva Rising, The Fem and Jellyfish Review. She works as a Foreign Rights Agent at The Deborah Harris Literary Agency.

Sarah Lilius is the author of the chapbooks What Becomes Within (ELJ Editions, 2014) and The Heart Factory (Black Cat Moon Press, 2016). She has a chapbook forthcoming from Dancing Girl Press early next year. Some of her journal publication credits include the Denver Quarterly, Bluestem, Tinderbox, Hermeneutic Chaos, Stirring, Melancholy Hyperbole, Entropy, and Flapperhouse. She lives in Arlington, VA with her husband and two sons. Her website is sarahlilius.com.

Omotara James resides in New York City, where she is an MFA candidate. She is the recipient of Slice magazine’s 2016 Bridging the Gap Award for Emerging Poets, as well as the Nancy P. Schnader Academy of American Poets Award. Her work has appeared or is forthcoming in Winter Tangerine, Visceral Brooklyn, The Coil, Gnosis, Font, and The Anthology of Young American Poets. She has received scholarships from Cave Canem, the Homeschool and the Garrison Institute. Currently, she is an editor at Visceral Brooklyn and Art of Dharma. You can find out what she’s doing next at https://omotara-james-poet.squarespace.com

Lauren Milici is a Jersey-born, Florida-bred gal who believes the best art is derived from naked honesty. She is currently pursuing an MFA in Poetry at West Virginia University. She posts drafts, sketches, and other trash on her website, laurenemilici.com.

Shannon Elizabeth Hardwick received her MFA from Sarah Lawrence College. Her first full-length book, Before Isadore, is forthcoming from Sundress Publications. She serves as the poetry editor for The Boiler Journal. Her work has appeared or is forthcoming in the following: Salt Hill, Stirring, Versal, The Texas Observer, Devil’s Lake, Four Way Review, among others. Hardwick also has chapbooks out with Thrush Press and Mouthfeel Press.

Stephanie Valente lives in Brooklyn, NY. She has published Hotel Ghost (Bottlecap Press, 2015) and has work included in or forthcoming from Danse Macabre, Nano Fiction, and Black Heart. Sometimes, she feels human. http://stephanievalente.com

Isobel O’Hare is a Pushcart-nominated poet and essayist who has dual Irish and American citizenship. O’Hare is the author of the chapbooks Wild Materials (Zoo Cake Press, 2015) and The Garden Inside Her (Ladybox Books, 2016). She is based in Oakland, California and Taos, New Mexico.

Shevaun Brannigan is a graduate of the Bennington Writing Seminars, as well as The Jiménez-Porter Writers’ House at The University of Maryland. Her poems have appeared in such journals as Best New Poets 2012, Rhino, Redivider, and Crab Orchard Review. She is the first place recipient of the 2015 Jan-ai Scholarship through the Winter Poetry and Prose Getaway, and a 2015 recipient of a Barbara Deming Memorial Fund grant. Also in 2015, she was shortlisted for the Booth Poetry Prize, was a finalist for the District Lit Poetry Prize, a finalist for The Tishman Review’s Edna St. Vincent Millay Poetry Prize, and received an honorable mention in The Feminist Wire’s inaugural poetry prize. Her work can be found at shevaunbrannigan.com.

Amy Jo Trier-Walker lives and works on a tree and herb farm in Indiana and is the author of two chapbooks: Trembling Ourselves into Trees (Horse Less Press, 2015) and One Winter Night in the Pines (The Dandelion Review, 2016).  She is the winner of the 2016 Permafrost New Alchemy Contest, and her work can be found in New American Writing, Caliban online, Salt Hill, Tupelo Quarterly, and inter|rupture, among others.

Marty Cain is a poet and video artist. His first book is a long poem called Kids of the Black Hole (Trembling Pillow Press, 2017). His work has appeared (or is forthcoming) in Fence, Jacket2, Tarpaulin Sky, Action Yes, Gigantic Sequins, and other journals. He received an MFA from the University of Mississippi, and presently, is pursuing a PhD in English Literature at Cornell University. Currently, he lives in Ithaca, New York with his partner, the poet Kina Viola; together, they run Garden-Door Press.

Jennifer Maritza McCauley is a writer, teacher and Ph.D. candidate in creative writing at the University of Missouri. She is also an editorial assistant at The Missouri Review, a reviews editor at Fjords Review and an associate editor of Origins Literary Journal. Her most recent work appears or is forthcoming in editions of The Los Angeles Review, Jabberwock Review, LunaLuna, Split this Rock’s “Poem of the Week,” Puerto del Sol, The Feminist Wire and New Delta Review, among other outlets.

Alaina Leary is a Bostonian publishing professional. She serves as a social media assistant for the nonprofit We Need Diverse Books. Her work has been published in Cosmopolitan, Seventeen, Marie Claire, Bustle, Bust, Everyday Feminism, The Establishment, and more. When she’s not reading, you can usually find her spending time with her two cats or covering everything in glitter.

Alexis Groulx’s work has been previously published, or is forthcoming in Blue Lyra Review, Bridge Eight, Gravel, Off the Coast,Sun & Sandstone,The Missing Slate and others.

Patty Paine is the author of Grief & Other Animals (Accents Publishing) The Sounding Machine (Accents Publishing), Feral (Imaginary Friend Press), and co-editor of Gathering the Tide: An Anthology of Contemporary Arabian Gulf Poetry (Ithaca Press) and The Donkey Lady and Other Tales from the Arabian Gulf (Berkshire). Her poems, reviews, and interviews have appeared in Blackbird, Gulf Stream, The Journal, The South Dakota Review, and other publications. She is the founding editor of Diode Poetry Journal, and Diode Editions, and is Director of Liberal Arts & Sciences at Virginia Commonwealth University, Qatar.

Abigail Welhouse is the author of Bad Baby (dancing girl press), Too Many Humans of New York(Bottlecap Press), and Memento Mori (a poem/comic collaboration with Evan Johnston). Her writing has been published in The Toast, The Billfold, Ghost Ocean Magazine, the Heavy Feather Review, and elsewhere. Subscribe to her Secret Poems at tinyletter.com/welhouse.

Stephanie Berger is the founder and CEO of The Poetry Society of New York, a 501(c)3 dedicated to promoting poetry within our culture. She is the creator and Madame of The Poetry Brothel, co-founder and director of The New York City Poetry Festival, and co-creator of The Typewriter Project. Her poetry has appeared in Fence, The Volta, Hyperallergic, Prelude, Bat City Review, and H_NGM_N, among other publications. She published a chapbook of poems, In The Madame’s Hat Box (Dancing Girl Press, 2011) and is the co-author/translator of The Grey Bird (Coconut Books, 2014). She received her MFA in Poetry from The New School and has taught in the English department at Pace University.

jacklyn janeksela is a wolf and a raven, a cluster of stars, &  a direct descent of the divine feminine.  jacklyn janeksela can be found @ Thought Catalog, Luna Magazine, Talking Book, Three Point Press, DumDum Magazine, Visceral Brooklyn, Anti-Heroin Chic, Public Pool, Reality Hands, Mannequin Haus, Velvet-Tail, Requited Journal, The Feminist Wire, Word For/Word, Literary Orphans, Lavender Review, & Pank.  she is in a post-punk band called the velblouds. her baby @ femalefilet.  more art @ artmugre & a clip.  her first book, fitting a witch//hexing the stitch, will be born in 2017 (The Operating System).  she is an energy.  find her @ hermetic hare for herbal astrological readings. 

Christine Stoddard is a Salvadoran-Scottish-American writer and artist who lives in Brooklyn. Her writings have appeared in Marie Claire, The Feminist Wire, Bustle, Teen Vogue, The Huffington Post, Ravishly, So to Speak, Jimson Weed, and beyond. In 2014, Folio Magazine named her one of the top 20 media visionaries in their 20s for founding Quail Bell Magazine. Christine is the author of Hispanic & Latino Heritage in Virginia (The History Press, 2016) and Ova (Dancing Girl Press, 2017.)

Nicole McCarthy is an experimental writer/artist in the MFA program at the University of Washington Bothell. She is also the managing editor of The James Franco Review. Her work has appeared in Punctuate Magazine, The Fem, Ghost Proposal, FLAPPERHOUSE, Crab Fat Magazine, PUBLIC POOL,Tinderbox Poetry, and others. She is working on her first full-length hybrid collection.

Lynn Melnick is the author of Landscape with Sex and Violence (forthcoming, 2017) and If I Should Say I Have Hope (2012), both with YesYes Books, and the co-editor of Please Excuse This Poem: 100 New Poets for the Next Generation (Viking, 2015). She serves on the Executive Board of VIDA: Women in Literary Arts.

Ashley Miranda is a latinx poet from Chicago. Her work has been previously featured in The Denver Quarterly, White Stag, pioneertown, and HOUND lit. She tweets impulse poetry and other ramblings @dustwhispers.

Leza Cantoral is editor of CLASH Media Books and Luna Luna Magazine Print Projects. She is the author of  ‘Cartoons in the Suicide Forest’ published by Bizarro Pulp Press. She lives in New Hampshire with the love of her life and their two cats.

Corinne Manning manages the distinction between desire and longing by wearing wigs while chopping wood on a farm in the PNW.  While currently at work on a novel about a queer family in post-Columbine America, Corinne has a collection, WE HAD NO RULES, flirting with presses; stories from which have appeared in Story Quarterly, Calyx, Vol 1 Brooklyn, Moss, and The Bellingham Review. “Primary Sources” originally appeared in Arts & Letters and is the first piece of writing that freed and transformed Corinne in its production.  Once Upon A Time, Corinne founded a journal called The James Franco Review, dedicated to the visibility of underrepresented artists through reimagining the publishing process.

CAConrad’s childhood included selling cut flowers along the highway for his mother and helping her shoplift. The author of 9 books of poetry and essays, the latest is titled While Standing In Line For Death and is forthcoming from Wave Books (September 2017). He is a Pew Fellow and has also received fellowships from Lannan Foundation, MacDowell Colony, Headlands Center for the Arts, Banff, RADAR, Flying Ojbect and Ucross. For his books, essays, and details on the documentary The Book of Conrad (Delinquent Films 2016), please visit CAConrad.blogspot.com

Danielle Perry graduated with a degree in English Lit and Religious Studies from Guilford College in Greensboro, NC. She now lives in Portland, OR, but will never lose her East Coast charm. She spends probably too much time on Twitter (@jekyllian). Her work has been published in The Toast, FLAPPERHOUSE, and Potluck Magazine, among others. Her chapbook Phases (2015) was published by Sad Spell Press.

Annie Virginia teaches English to high schoolers. She earned her degree in poetry and street vigilantism at Sarah Lawrence College. She worries people by fighting in public with men who need to be fought. Her work was nominated for a Pushcart prize by Broad! magazine and can be found in The Literary Bohemian, Arsenic Lobster, The Legendary, and “The Queer South” by Sibling Rivalry Press.

Claudia Cortese is a poet, essayist, and fiction writer. Her first book, WASP QUEEN (Black Lawrence Press, 2016), explores the privilege and pathology, trauma and brattiness of suburban girlhood. Her work has appeared in Blackbird, Black Warrior Review, Crazyhorse, Gulf Coast Online, and The Offing, among others. The daughter of Neapolitan immigrants, Cortese grew up in Ohio and lives in New Jersey. She also lives at claudia-cortese.com

Kelley O’Brien is a disabled lesbian currently studying social work. She enjoys working in her garden and making jewelry, and hopes to make a little difference in the world.

Jessica Lynn Suchon is a poet, essayist, and women’s rights advocate. She is currently an MFA candidate at Southern Illinois University. Her work has appeared or is forthcoming in Radar Poetry, decomP, and Rust + Moth, among others. In 2016, she was named an Emerging Writer Fellow by Aspen Words, a partner of the Aspen Institute. She currently lives and writes in Carbondale, Illinois with her boyfriend Josh Myers and their dog Gracie.

HANNAH KUCHARZAK is a poet and visual artist from Chicago. Her poems have been previously published in TYPO, Vagabond City, Requited, Pleiades, Pinwheel, Ghost Proposal, and elsewhere. She is the recipient of the Gwendolyn Brooks Award and the Luminarts Award for Creative Writing.

Sarah Madges is a Brooklyn-based writer with an MFA from The New School Creative Writing Program. She co-curates Handwritten, an online project dedicated to the art and act of handwriting, and runs the monthly poetry reading series, Mental Marginalia. Her writing has appeared in The Village Voice, Killing the Angel, SCOUT: Poetry in Review, and elsewhere.

Staci R. Schoenfeld is a recipient of a 2015 NEA Fellowship for Poetry. She’s a PhD student at University of South Dakota and assistant editor for poetry at South Dakota Review. Recent poems appear in Mid-American Review, Southern Humanities Review, and Thrush Poetry Journal. Her chapbook, The Patient Admits, is forthcoming from dancing girl press in summer 2017.

Alexis Smithers is a queer black writer on the East Coast. Their work can be found in wusgood.black, Glass: Poetry, and Up the Staircase Quarterly and forthcoming in &thriving among others. They work for Monstering Mag, Winter Tangerine Review, Words Dance, and Voicemail Poems. They are a 2015 Pink Door Fellow and 2016 LAMBDA Literary Emerging Writers Fellow. A full list of their work can be found at lexleecom.wordpress.com.
Agnes Vittstrand is a nom de guerre, a feminist activist and author of “Allt som tar plats” (FRF, 2014) a collection of poems on strategies built after having her childhood broken by pedophiles. She has published articles in numerous Swedish feminist magazines and is also a painter of some astute. Her next book is in line for publishing by anarchist press Freke Räihä Förlag.

Freke Räihä is an elderly queer poet, translator and literary curator with more issues than vowels.

Jason Phoebe Rusch is a queer, non-binary writer from the Chicago suburbs. They have a BA in history from Princeton University and an MFA in fiction from University of Michigan, where they were a Zell Fellow and received several Hopwood awards. Their poetry has appeared in Luna Luna, their essays in Bust magazine, World Policy Journal online and The Mighty and their screenplay Banana Rat was a finalist in the 2010 Zoetrope contest.

Leah Mueller is an independent writer from Tacoma, Washington. She is the author of one chapbook, “Queen of Dorksville”, and two full-length books, “Allergic to Everything” and “The Underside of the Snake.” Her work has been published or is forthcoming in Blunderbuss, Memoryhouse, Outlook Springs, Atticus Review, Sadie Girl Press, Origins Journal, Silver Birch Press, Cultured Vultures, Quail Bell, and many others. She was a featured poet at the 2015 New York Poetry Festival, and a runner-up in the 2012 Wergle Flomp Humor Poetry contest.

MW Murphy is a poet and novelist. She is the author of the novel Second Daughter, which was endorsed with cover blurbs by best-selling author Wally Lamb as well as cult author and Yale professor John Crowley. Second Daughter was subsequently picked by NPR’s Faith Middleton as a “shelf-tracker” book of the month, and was also a featured book at R J Julia Booksellers. MW was selected for publication several times in the “Open Weave” poetry anthology published by Curbstone Press / Northwestern University, which also awarded her first place in its Poet Laureate Division. She has a short piece of fiction in the anthology Gathered Light which was published by Three O’ Clock Press in May 2013. MW also has recent poems in the international poetry anthology series “The Art of Being Human – Volume 13, Volume 14, and Volume 15”, all of which were published in 2015. She is currently nearing completion of an urban sci/fi fantasy novel which takes place mostly in Manhattan’s East Village.

Katie Clark is a queer poet & a sophomore at Mount Holyoke. Katie’s poems have been in several kind publications including Nostrovia! and Voicemail Poems. Tweets @octupiwallst

Christoph Paul is an award-winning humor author. He writes non-fiction, YA, Bizarro, horror, and poetry including: The Passion of the Christoph, Great White House Volume 1 and Volume 2, Slasher Camp for Nerd Dorks, and Horror Film Poems. He is an editor for CLASH Media and CLASH Books and edited the anthologies Walk Hand in Hand Into Extinction: Stories Inspired by True Detective and This Book Ain’t Nuttin to Fuck With: A Wu-Tang Tribute Anthology. Under the pen name Mandy De Sandra, he writes Bizarro Erotica that has been covered in VICE, Huffington Post, Jezebel, and AV Club. He is represented by Veronica Park at Corvisiero Literary Agency.

Lora Nouk is a New York-based artist and poet. She works across various mediums including net art, performance, BJD and text. She has presented work at Picture Room, New York; Kodomo/Manila Institute, Brooklyn; Mellow Pages, Brooklyn; MoMA PS1, New York; and David Lewis Gallery, New York, among others. She is the author of Snow Poems (Codette, 2015). She tweets @shad0w_paws

Diane Payne’s most recent publications include: Map Literary Review, Watershed Review, Tishman Review, Whiskey Island, Kudzu House Quarterly, Superstition Review, Burrow Press,Dime Show Review, Lime Hawk, and Cheat River Review.  She has work forthcoming in The Offing, Elke: A little Journal, Souvenir Literary Journal,  Outpost 19.  Diane is the author of Burning Tulips (Red Hen Press) and is the MFA Director at University of Arkansas at Monticello.

EDITOR

Joanna C. Valente is a human who lives in Brooklyn, New York. They are the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (2016, ELJ Publications) & Xenos (2016, Agape Editions). They received their MFA in writing at Sarah Lawrence College. Joanna is also the founder of Yes, Poetry, as well as the managing editor for Civil Coping Mechanisms and Luna Luna Magazine. Some of their writing has appeared in Prelude, BUST, The Atlas Review, The Feminist Wire, The Huffington Post, Columbia Journal, and elsewhere. Joanna also leads workshops at Brooklyn Poets.

December 27, 2016
Coping with Michael J Seidlinger, CCM Publisher & Author of ‘Falter Kingdom’

Coping with Michael J Seidlinger, CCM Publisher & Author of ‘Falter Kingdom’

by CCM December 27, 2016
written by CCM

#CopingWith is CCM’s interview series run by managing editor Joanna C. Valente


Michael J Seidlinger is CCM’s publisher & editor-in-chief. As many people know, Michael is tirelessly always working, always available, and sincerely dedicated to publishing. Because of his public persona, it is easy to think you know Michael without really knowing him–this is both intrinsic to how social media works, but also ironic in the publishing world that is often built on the publishing of harrowing and compelling narratives.

His latest novel, “Falter Kingdom,” came out this fall from Unnamed Press. Of his book, Garrard Conley has said, “Seidlinger’s riveting book has ‘unpacked’ the classic Holden Caulfield character we know and love and given us a newly complicated misfit to root for. Here we see the boundaries of good and evil, love and hatred, self and other dissipate as the increasingly lovable demon takes possession of us.”

Because of all this, I interviewed him as a way for the CCM community to get to know him a little more. Here’s what he had to say:

What is one piece of advice to writers when dealing with their editors and publishers?

Be honest and up front about your concerns and your curiosities. I’ve seen it all too many times where miscommunication breeds a level of disdain between both author and editor. You have to figure that working with an editor, especially in the indie space, it may very well be just the both of you. Such close proximity could be amazing for collaboration, but only if both parties are on the same page. Editors/publishers are people too—you don’t ever want to elevate or activate a level of demand from them that exceeds what both signed up for. It’s how a publishing dream becomes a nightmare. Trust me, be honest right from the beginning—with both yourself and to your editor; doing so will help later when emotions run high (and they almost always do, be it out of excitement or worry) and you are about to send a five-paragraph email or text message to your editor at 3AM. You really have to treat the publishing relationship as its own sort of relationship, complete with its own boundaries.

What was your first publication?

This could very well be the most frightening question I’ve ever been asked. I just spent like 30 minutes Googling myself trying to find the oldest thing published and I’m coming up empty. I know one of my first was with a Canadian indie press called Crossing Chaos/Enigmatic Ink, where I published an excerpt/fragment from a now-dead novel of mine on their blog, and later published a couple books through the press. I also had stuff published at sites like Metazen (RIP) again coming up empty. The internet is truly ephemeral, your work so quickly lost if you don’t save it elsewhere, so here’s a picture of me looking sad:

PS – Starting to think I always look sad in pictures. Or tired. Or both.

What’s the worst rejection letter you’ve ever gotten? (You don’t have to name names, though.)

Worst one’s got to be from an agent that quite literally emailed back with a single letter, “P.” It was abrupt enough that it took me a couple minutes to figure out what that had meant. Guess the agent didn’t have enough time to write out the word, “pass.” There were no other details given and I never received another response, even after emailing for clarification. Agent’s a hot shot, by the way. One of those big names that foster truly lucrative literary deals. I’m not about money but I like money like anyone else. Well, scratch that—I like the prospect of not having to constantly worry about money. Oh god, tax season is fast approaching. Doing taxes sucks so fucking hard. I don’t know where I’m going with this.

When you get discouraged, what helps you rally through?

This changes a lot. If you know me at all, you know I usually don’t turn away, especially if I’m discouraged. I dive right into the discouragement, the feelings and thoughts brimming with negativity, and I attempt to find some sort of solution. It’s not always the healthiest of reactions and I have been trying to get better at it. Simple things like sipping coffee, closing your eyes, and meditating to ambient music; blasting metal and screaming along to it pretending that I’m still part of a band and am on tour and not drowning in work/deadlines; smoking a cigar while purposefully leaving the phone in another room; rewatching films I’ve seen countless times (like Jiro: Dreams of Sushi); even going back to something I wrote that somehow didn’t suck, flipping through a few pages, trying to get myself to level out and lessen the negative analytical spin. It’s so damn easy to fall into one of those funks, especially when the writing isn’t going well (seemingly every other writing session; depending on the project, it can be every single one). I rally through because there really is no choice not to, and whatever I can do to calm down, it has much to do with letting the mind fess up to those feelings, letting it all sink in and determine precisely the reason for discouragement. Oh and it also helps to talk to someone I’m close to, someone that can figure out by the fourth word what’s bothering me.

What do you love about the lit community?

Best part is the people. Always has been. The community has grown/changed so much with the times but there are people that have always been around, and more importantly been there, for each other over the years, there’s just so much to love about how something skewed to social media/online daily engagement can foster strong friendships and literary collaborations among its masses. CCM/Entropy wouldn’t exist without the community. I wouldn’t be who I am now, wouldn’t be doing what I’m doing, if it weren’t for the community. Don’t let the drama and the social media born depression get to you. There are people here. People that care.

How do you want to change the lit community? What’s your least favorite part of it?

I wish we’d be more considerate of each other’s feelings. Yeah, I know I said above how everyone is so supportive and caring but for all of the good, there is this underlying current that seriously bums people out. I hear from so many writers, so many friends, so many editors, about this general sense of malaise coming from the frustrations of toxic social circles. People gossip and so forth and what should be a safe space becomes something distrustful and downright unsettling. If you ever wonder why the lit community goes through a lot of rise-and-fall eras of activity and then sudden drops in silence, it’s as much to do with the seasons/prevailing cultural influence as it is the people within the community spinning drama.

People need to stop looking at each other as opportunities. People need to check themselves and their reasons for being a part of this.

Favorite item of clothing you own.

A Navy flight/bomber jacket my dad got during his time in the military. He gave to me about five or six years ago and it’s always fit so snugly it almost assuredly gave me a confidence boost whenever I’d wear it. I also like how it has a “Seidlinger” insignia sown right into the fabric. Wish I could wear it in NYC winter but it’s just too damn cold for the jacket.

Just realized I titled this interview “CopingwithSeidlinger” and thought of some old family sitcom like the Brady Bunch or some shit and really a show called Coping with Seidlinger would be pretty much the most horrible thing ever (for the 1-3 viewers and especially for me) because it would be almost 100% me sitting in front of a computer shouting obscenities while intermittently falling asleep, smoking a cigar, drinking a lot of coffee, and forgetting to eat meals.


Michael J. Seidlinger is an Asian American author of a number of novels including The Fun We’ve Had and The Strangest. He serves as director of publicity at Dzanc Books, book reviews editor at Electric Literature, and publisher in chief of Civil Coping Mechanisms, an indie press specializing in innovative fiction, nonfiction, and poetry. He lives in Brooklyn, New York, where he never sleeps and is forever searching for the next best cup of coffee. You can find him online at michaeljseidlinger.com, on Facebook, and on Twitter (@mjseidlinger).

joanna valenteJoanna C. Valente is a human who lives in Brooklyn, New York. She is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (ELJ Publications, 2016), & Xenos (2016, Agape Editions). She received her MFA in writing at Sarah Lawrence College. She is also the founder of Yes, Poetry, as well as the managing editor for Luna Luna Magazine and CCM. Some of her writing has appeared in Prelude, The Atlas Review, The Feminist Wire, BUST, Pouch, and elsewhere. She also teaches workshops at Brooklyn Poets.

December 27, 2016
ashley farmer

Coping with Ashley Farmer, Author of ‘The Women’ & ‘Beside Myself’

by CCM December 19, 2016
written by CCM

#CopingWith is CCM’s interview series run by managing editor Joanna C. Valente


Ashley Farmer’s books, “The Women,” which came out on March 11, 2016, and “Beside Myself,” which came out on September 30, 2016, came out from CCM this year. Of “The Women,” Megan Martin has said, “Reading Ashley Farmer’s The Women is like reading a cubist painting. These scavenged voices collide, contradict, entertain, horrify, and surprise as they create a dizzying and complex conversation about what it means to be a woman at this particular moment in time. In poems that are by turns witty, beautiful, and moving, Farmer investigates the disturbing chasm between how women are seen and how they see themselves. Even as she unapologetically documents the power that systemic oppression has over our daily lives, her women emerge as brave, hungry, and resilient. The Women simultaneously made my blood boil and made me feel less alone.”

ashley farmer

As such, we interviewed her about her books, although instead of asking her boring lit questions, our managing editor Joanna C. Valente asked her about everything else instead, like what her favorite meal and apocalypse plans are.

Describe your favorite meal. 

Green curry tofu. Beautiful, simple sushi that tastes like the sea. Tostadas and tamales from Merced’s in Long Beach. This chicken soup I make for Ryan and me that takes quite a while but is worth it. A very occasional filet. Scallops. Wick’s Pizza in Louisville, KY with a good beer and my friends. Anything I’m eating at my mom’s or my mother-in-law’s houses where there are siblings and babies and grandparents and dogs around.

What music do you often write to, if at all? 

I listen to all kinds of stuff when I write, everything from the Kinks to Elliott Smith to Rachmaninoff to Otis Redding to Sibylle Baier. Right now I listen to Beethoven’s concertos while I write—they make my brain feel alive, but kind of gut me in a good way. I also like driving around, listening to music, and thinking about a writing project I’m working on. I’ll get new ideas that way sometimes.

What are three books that you’ve always identified with?

I’m thinking about this in terms of books I identified with a long time ago that still resonate with me today:

Trout Fishing in America by Richard Brautigan: My grandmother had some Brautigan books at her house and I read Sombrero Fallout one summer when I was maybe twelve. It blew my mind. Brautigan is weird and wild and kindred.

The Awakening by Kate Chopin: I read this in high school and it was frankly the first time I’d been introduced to a “serious book” by and about a woman. That was important to me.

The Bell Jar by Sylvia Plath: Like she did for other women writers I know, Plath showed me at a very young age that there was a different way of interpreting the world. I just recently went to back her work—almost accidentally—and I’m fascinated by her again.

Choose one painting that describes who you are. What is it?

I work in an art museum, so I love this question. Priscilla Johnson (1966) by Alice Neel is a painting in the Speed Art Museum’s collection in Louisville, KY. I remembered visiting that museum when I was a kid and she stuck with me. It’s a larger painting with a real presence, and I loved that she seemed restless and thoughtful and intense and opinionated. Years later, I had the chance to work at that same museum and see her in person on a regular basis, again and again. I still love her.

Alice Neel

Choose a gif that encompasses mornings for you.

What do you imagine the apocalypse is like? How would you want to die?

I deliberately don’t imagine either of these things, if I can help it.

How would you describe your social media persona/role?

More observer than participant. Effusive liker. Listener. I come to learn and pay attention to people who know more than/differently from me. That feels like my role right now. I also come for bird photos and panda videos and to watch my friends’ babies grow up.

What’s your favorite animal and why?

My cat, Karate. She’s a huge tuxedo cat with a disagreeable personality. She wakes me up every morning and attacks my ankles if I walk past her the wrong way. She once got me in trouble with the TSA when I tried (and failed) to fly her across the country. She barely tolerates me and she won’t let me hold her, but I love her so.

What do you carry with you at all times? 

Pink lipstick, loose change.


ashley farmerAshley Farmer is the author of the women (Civil Coping Mechanisms, 2016), The Farmacist (Jellyfish Highway Press, 2015), beside myself (Pank/Tiny Hardcore Press, 2014), and the chapbook farm town (Rust Belt Bindery, 2012). A former editor for publications like Atomica Magazine, Salt Hill Journal, and others, she currently serves as an editor for Juked. Ashley resides in Salt Lake City, ut with her husband, Ryan Ridge.

 

joanna valenteJoanna C. Valente is a human who lives in Brooklyn, New York. She is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (ELJ Publications, 2016), & Xenos (2016, Agape Editions). She received her MFA in writing at Sarah Lawrence College. She is also the founder of Yes, Poetry, as well as the managing editor for Luna Luna Magazine and CCM. Some of her writing has appeared in Prelude, The Atlas Review, The Feminist Wire, BUST, Pouch, and elsewhere. She also teaches workshops at Brooklyn Poets.

December 19, 2016
wendy c ortiz

Coping with Wendy C. Ortiz, Author of ‘Bruja’

by CCM December 12, 2016
written by CCM

#CopingWith is CCM’s interview series run by managing editor Joanna C. Valente


Wendy C. Ortiz’s book, “Bruja,” came out on October 31, 2016 from CCM. Of the book, Roxane Gay has said, “In Bruja, Wendy C. Ortiz deftly navigates the land of dreams in what she calls a dreamoir. By telling us her dreams, by revealing her most unguarded and vulnerable self, Ortiz is, truly, offering readers the most intimate parts of herself–how she loves, how she wants, how she lives, who she is. Bruja is not just a book–it is an enigma and a wonder and utterly entrancing.”

As such, we interviewed her about her book, although instead of asking her boring lit questions, our managing editor Joanna C. Valente asked her about everything else instead, like what her favorite meal and apocalypse plans are.

Here’s what she said:

bruja-frontcover-final
Describe your favorite meal. 

Vegetable samosas, chicken or lamb vindaloo (v. spicy), saag paneer (med. spicy), basmati rice, garlic naan, kheer with a little cinnamon on top.

What music do often you write to, if at all? 

It depends on what I’m writing–I’ll listen to whatever music was important to me at the time of the events I’m writing about. Writing about adolescence I rely a lot on 80s music: The Cure, Psychedelic Furs, Love & Rockets, David Bowie, Depeche Mode. Writing about when I first moved back to Los Angeles: Kid A on repeat, X, Neko Case.

How would you describe your gender? 

Mildly feral tomboy/femme who cleans up and domesticates well enough.

What are three books that you’ve always identified with?

May I have the rest of my life to think about this, please?

Choose one painting that describes who you are. What is it?

It’s ink and color on paper. Naruto Whirlpool, Awa Province by Utagawa Hiroshige.

Utagawa Hiroshige

Utagawa Hiroshige

Choose a gif that encompasses mornings for you. 

What do you imagine the apocalypse is like? How would you want to die?

We’re in it, it’s just moving like the arctic ice melt. If I must succumb to the worst of it, I want to die by my own hand. Cyanide.

If you could only watch three films for the rest of your life, what would they be?

Cabaret
Apocalypse Now<
The Shining

How would you describe your social media persona/role?

Facebook: most outer layer
Twitter: second layer
Instagram: third layer
Tumblr: fourth layer
Snapchat: occasional deepest layer

What’s your favorite animal and why?

Cats for all the cliché reasons: they’re self-sufficient, they don’t give a shit about you, they expect worship, they’re smart, they’re beautiful…but also they are amenable to living with me.

What do you carry with you at all times?

Glow.


wendy c ortizWendy C. Ortiz is a Los Angeles native. She is the author of Excavation: A Memoir (Future Tense Books, 2014), Hollywood Notebook (Writ Large Press, 2015), and the forthcoming dreamoir Bruja (Civil Coping Mechanisms, Oct. 31, 2016).

Her work has been profiled or featured in the Los Angeles Times, Los Angeles Review of Books, The Rumpus, and the National Book Critics Circle Small Press Spotlight blog. Her writing has appeared in The New York Times, Hazlitt, Vol. 1 Brooklyn, The Nervous Breakdown, Fanzine, and a year-long series appeared at McSweeney’s Internet Tendency.

 

joanna valenteJoanna C. Valente is a human who lives in Brooklyn, New York. She is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (ELJ Publications, 2016), & Xenos (2016, Agape Editions). She received her MFA in writing at Sarah Lawrence College. She is also the founder of Yes, Poetry, as well as the managing editor for Luna Luna Magazine and CCM. Some of her writing has appeared in Prelude, The Atlas Review, The Feminist Wire, BUST, Pouch, and elsewhere. She also teaches workshops at Brooklyn Poets.

December 12, 2016
Coping with Janice Lee, Author of ‘The Sky Isn’t Blue’

Coping with Janice Lee, Author of ‘The Sky Isn’t Blue’

by CCM December 5, 2016
written by CCM

#CopingWith is CCM’s interview series run by managing editor Joanna C. Valente


Janice Lee’s book, “The Sky Isn’t Blue,” came out on March 11, 2016 from CCM. Of the book, Chiwan Choi has said, “To read Janice Lee’s new book, The Sky Isn’t Blue, is to remember. Not major events or turning points in life, even though she is writing after a huge one in her life, but remembering moments, textures, sounds, pauses. The air that touched my skin once as I walked home. The sound of dust touching glass. How there was blue once above me when I looked up. It makes me remember that my life is about spaces—of things as large as the sky that envelopes me and of the more intimate, like the space that is my body. The book disappeared as it became each second ticking away in my life, reminding me that I will not be able to save it nor will I ever be able to forget. ”

As such, we interviewed her about her book, although instead of asking boring lit questions, our managing editor Joanna C. Valente asked Janice about everything else instead, like what her favorite meal and apocalypse plans are.

Here’s what she said:

LeeJanice-TheSkyIsn'tBlue

Describe your favorite meal.

I love food, so that’s hard. I love donuts, pancakes, ramen, meat, beets, bread, more bread, biscuits, fried chicken… But OK, in terms of a favorite meal, it’s probably Korean BBQ. Cooked at the table. Surrounded by friends and family and loved ones. Meat sizzling on the table with lots of side dishes and veggies and pickled things, lettuce wraps, raw garlic, and cold beer.

What music do often you write to, if at all?

It depends on the project. For the novel I’m currently writing, I’ve had a very strict and curated playlist of the same few albums on repeat:

Russian Circles – Enter
Matt Kivel – Fires on the Plain
Bohren & Der Club Of Gore – Black Earth

What are three books that you’ve always identified with?

War & War by Laszló Krasznahorkai
The Road by Cormac McCarthy
Mommy Must Be a Fountain of Feathers by Kim Hyesoon, trans. Don Mee Choi

Choose one painting that describes who you are. What is it?

Blue Sea by Emil Nolde

url

Emil Nolde

Choose a gif that encompasses mornings for you.

What do you imagine the apocalypse is like? How would you want to die?

As László Krasznahorkai tells us, “We are living in the apocalypse. The first moment of time was the first moment of apocalypse and death. Please, don’t fear the apocalypse.” It began the day we were born, and it will end the day I die. I’d like to die without fear.

If you could only watch three films for the rest of your life, what would they be?

Can I have like 3 groupings?

Everything directed by Béla Tarr: Satantango, Damnation, The Werkcmeister Harmonies.
Then Ice Age.
And then The Fast & the Furious franchise.

How would you describe your social media persona/role?

moosh / thoughts about the sky / today the sky is blue / today the sky is some other color / more moosh / political action / Entropy / writing / sometimes I eat food and am human / sometimes I have feelings / mooshy friday / trumpwatch / literary community / books

What’s your favorite animal and why?

I love animals right now. I think we need to learn more from them, like I wrote a bit about birds & interspecies communication here.

I love watching birds. Lately, cats have been helping as spiritual guides and with my creative practice. My mooshes (dogs) keep me alive and make me a better human.

What do you carry with you at all times?

Wallet, phone, keys, chapstick.


janiceJanice Lee is the author of KEROTAKIS (Dog Horn Press, 2010), Daughter (Jaded Ibis, 2011), Damnation (Penny-Ante Editions, 2013), Reconsolidation (Penny-Ante Editions, 2015), and most recently, The Sky Isn’t Blue (Civil Coping Mechanisms, 2016). She is Editor of the #RECURRENT Novel Series at Civil Coping Mechanisms, Assistant Editor at Fanzine, Executive Editor of Entropy, and CEO/Founder of POTG Design. She currently lives in Los Angeles.

 

joanna valenteJoanna C. Valente is a human who lives in Brooklyn, New York. She is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (ELJ Publications, 2016), & Xenos (2016, Agape Editions). She received her MFA in writing at Sarah Lawrence College. She is also the founder of Yes, Poetry, as well as the managing editor for Luna Luna Magazine and CCM. Some of her writing has appeared in Prelude, The Atlas Review, The Feminist Wire, BUST, Pouch, and elsewhere. She also teaches workshops at Brooklyn Poets.

December 5, 2016
tobias carroll

Coping with Tobias Carroll, Author of ‘Transitory’

by CCM November 28, 2016
written by CCM

#CopingWith is CCM’s interview series run by managing editor Joanna C. Valente


Tobias Carroll’s book, “Transitory,” came out on August 15, 2016 from CCM. Of the book, Laura van den Berg has said, “Ingenious and mysterious, the stories of Tobias Carroll are spun with quiet loneliness and wild surprise. Transitory is that rare kind of collection where each story stands shining alone and, in the end, forms a beautifully melancholic whole. Tobias Carroll is an original and deeply exciting talent.”

As such, we interviewed him about his book, although instead of asking boring lit questions, our managing editor Joanna C. Valente asked Tobias about everything else instead, like what his favorite meal and apocalypse plans are.

Here’s what he said:

TransitoryCoverFront

Describe your favorite meal.

On the one hand, I’d go with something savory but a little complicated: there’s a pizza that you can get at a restaurant in my neighborhood, Adelina’s, where the crust is lightly fried, the toppings (spicy meat, cheese) work well together, and the tomato sauce is rich.

On the other hand, I’m also fond of something simple: there’s a bar in my hometown where the bar nachos are basically my definition of comfort food: heaps of cheese and meat, some of them seared to the plate. Delicious. I’ve had some amazing meals that have largely been one-offs; in terms of something that can be replicated, maybe the pizza mentioned above or a Sicilian slice or two from a place in Lincroft, New Jersey. That said, I’ve become fixated more recently on the chechebsa served at brunches at Bunna Cafe in Bushwick. So maybe a blend of the deeply familiar and the newer?

What music do often you write to, if at all?

Lots of ambient and drone work: Nils Frahm and Stars of the Lid (and related projects) are particular favorites. There are certain albums that I love that I can’t write to, and that’s mightily frustrating. Certain composers will also work: Steve Reich, some Bach, some Pärt. Though some of that is related to place, too: I can write at a coffee shop with almost anything on, but at home, it’s a little trickier. I have no idea why.

What are three books that you’ve always identified with?

Annie Proulx’s The Shipping News, Haruki Murakami’s South of the Border, West of the Sun, and Jonathan Lethem’s Chronic City.

Choose one painting that describes who you are. What is it?

This is tough, especially because the artist I’ve been most obsessed with in recent years has been James Turrell. (“I’m like Roden Crater–vast, cosmic, and still in progress!” Wait, no.) Maybe Leonora Carrington’s “Play Shadow”? Something where you can get lost in the details.

Wikiart

Wikiart

 

 

 

 

 

 

 

 

 

 

Choose a gif that encompasses mornings for you.

What do you imagine the apocalypse is like? How would you want to die?

I had a dream about this very topic a couple of months ago. First I was on the earth when things started to simply fall apart; then, I was watching from some vantage point in space (maybe the Moon?) as continents started to crumble. I blame the film Melancholia for making a very specific, very vivid, very visually stunning vision of the end of the world. As for the other part of the question? Lately, I’ve been utterly terrified of dying in my sleep. So I think I’d prefer to have some sort of conscious awareness that this is it for me–preferably in some level of comfort at a ripe old age.

If you could only watch three films for the rest of your life, what would they be?

Three Colors: Red, The Long Goodbye, and Raising Arizona. (The last of those because, well, I’d need something funny in the mix.)

How would you describe your social media persona/role?

Diplomatic and sometimes hesitant to a fault. I sometimes envy my friends who opt for more private social media presences, as I feel like I can’t necessarily be as candid; on the other hand, I think that, by nature, I’m not that candid to begin with. Alternately: sometimes I look back at the columns I wrote for the zine I did in the 90s or the blog I maintained in the early 00s and see someone working a lot of things out in public, sometimes very awkwardly. I’m glad I did it, but I’m also okay with no longer doing it, if that makes sense.

What’s your favorite animal and why?

I’m slightly more of a dog person than a cat person, and recently, I’ve been wondering if I’m making a huge mistake with my life by not being a dog owner. I grew up around dogs–my parents have beagles–and lately, I find myself freaking out a lot when I’m around dogs of all varieties.

What do you carry with you at all times?

Wallet, keys, phone, reading material, and some sort of note-taking device. Which is sometimes the phone, but more often than not is a notebook and pen. Usually all of these things are in a tote bag; when I’m without it, I often end up looking for it when I go to different places. (Such was the case earlier today, when I was doing some errands.) When I worked an office job, I would also usually have some kind of writing device–at the time, that was a tablet and a Bluetooth keyboard–which I’d use after work to get a couple of minutes of writing time in.


tobias carrollTobias Carroll is the author of the short story collection Transitory (Civil Coping Mechanisms, August 15) and the novel Reel (Rare Bird, October 11). He is the managing editor of Vol.1 Brooklyn. His writing has been published by Bookforum, Tin House, Rolling Stone, Hazlitt, Men’s Journal, and more. He grew up in Tinton Falls, NJ and now calls Brooklyn, NY home.

 

 

 

joanna valenteJoanna C. Valente is a human who lives in Brooklyn, New York. She is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (ELJ Publications, 2016), & Xenos (2016, Agape Editions). She received her MFA in writing at Sarah Lawrence College. She is also the founder of Yes, Poetry, as well as the managing editor for Luna Luna Magazine and CCM. Some of her writing has appeared in Prelude, The Atlas Review, The Feminist Wire, BUST, Pouch, and elsewhere. She also teaches workshops at Brooklyn Poets.

November 28, 2016
henry hoke

Coping with Henry Hoke, Author of ‘The Book of Endless Sleepovers’

by CCM November 21, 2016
written by CCM

#CopingWith is CCM’s interview series run by managing editor Joanna C. Valente


Henry Hoke’s book, “The Book of Endless Sleepovers” came out on October 31, 2016 from CCM. Of the book, Maggie Nelson has said, “I love how Henry Hoke plays fast and loose with autobiography and genre. The Book of Endless Sleepovers is wry and finely-wrought, a philosophical fever dream studded with the pleasure of proper names and surprising turns of phrase, a lyric page-turner.”

As such, we interviewed him about his book, although instead of asking boring lit questions, our managing editor Joanna C. Valente asked Hoke about everything else instead, like what his favorite meal and apocalypse plans are.

Here’s what he had to say:

sleepoversactual

Describe your favorite meal. 

Tortellini. I saw a Reading Rainbow about how it’s made and was hooked for life. 

What music do you often write to, if at all? 

Night Bus.

How would you describe your gender? 

Southern expat gothic.

What are three books that you’ve always identified with?

365 Days, 365 Plays by Suzan-Lori Parks

Music for Chameleons by Truman Capote

The Indispensible Calvin and Hobbes by Bill Watterson

Choose one painting that describes who you are. What is it?

A painting I saw at the Palazzo Ducale in Venice called Still Life with Lobster, a cartoonish still life where the lobster was hulking and alive and seemed to be flailing its claws at the viewer. I thought it was by Botero but I can’t find any evidence of its existence. Maybe that’s for the best.

Choose a gif that encompasses mornings for you. 

My gif, like my mornings, is set to music:

 What do you imagine the apocalypse is like? How would you want to die?

Pass.

If you could only watch three films for the rest of your life, what would they be?

Paris is Burning

Rear Window

Eyes Wide Shut 

How would you describe your social media persona/role?

Idiosyncratic. Restrained. I save my favorite stuff for the books. 

What’s your favorite animal and why?

Tapirs. They’re singular! 

What do you carry with you at all times? 

I keep a foot-shaped blue gem in my wallet. I’m pretty sure I know where I got it. It’s been with me a long time.


henry hokeHenry Hoke was a child in the South and an adult in New York and California. He authored The Book of Endless Sleepovers (Civil Coping Mechanisms, 2016) and Genevieves(winner of the Subito Press prose contest, forthcoming 2017). Some of his stories appear in The Collagist, PANK, Gigantic and Carve. He co-created and directs Enter>text, a living literary journal.

 

joanna valenteJoanna C. Valente is a human who lives in Brooklyn, New York. She is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (ELJ Publications, 2016), & Xenos (2016, Agape Editions). She received her MFA in writing at Sarah Lawrence College. She is also the founder of Yes, Poetry, as well as the managing editor for Luna Luna Magazine and CCM. Some of her writing has appeared in Prelude, The Atlas Review, The Feminist Wire, BUST, Pouch, and elsewhere. She also teaches workshops at Brooklyn Poets.

November 21, 2016
sean doyle

Coping with Sean H. Doyle, Author of ‘This Must Be the Place’

by CCM November 14, 2016
written by CCM

#CopingWith is CCM’s interview series run by managing editor Joanna C. Valente


Sean H. Doyle’s debut book, “This Must Be the Place,” came out on May 1, 2015 from CCM. Of the book, Jim Ruland has said, “Sean H. Doyle is a punk rock sailor shaman with a message from way down below decks where the guys with horns and hooves go jet skiing on a lake of fire. This Must Be the Place is a ferocious testament to love and loss written with razor blades and backed with blood. An unputdownable debut.” I can personally attest to Sean’s passion for the written word, for finding one’s own personal truth, for understanding when to throw out that truth, and for being a visionary who isn’t afraid to tell a story, blemishes and all.

As such, we interviewed him about his book, although instead of asking boring lit questions, our managing editor Joanna C. Valente asked about everything else instead, like what his favorite meal and gif are.

Here’s what he told us:

ThisMustBethePlaceExteriorFINAL2
Describe your favorite meal. 

Damn. Well, I love to cook and spending time in the kitchen is one of the best parts of any day for me, so I have a lot of favorites I go back to. I’m carnivorous as all get-out, so I really love to take a nice cut of red meat and rub it down with some coffee, sea salt, and pepper and throw it in the broiler for a while. Always goes well with some spinach salad and roasted sweet potatoes. If you want to eat, email me, I’m down.

What music do often you write to, if at all?

I try to stay as instrumental as possible, unless there is something I’m trying to achieve that words can help break loose a little. I’m a huge Steve Reich acolyte, so all of his work and anything else that pulses in that way is good for me. Lots of ambient drone stuff, too. Nick Cave always helps goose the romantic in me, which is something I am trying to embrace a little more in my upcoming work. All the old punk rock I grew up on when I know there is something deep in the meat of me that needs to come out.

How would you describe your gender?

I am a lover.

What are three books that you’ve always identified with?

Only three? Shit. Since I’ve read them, or since I knew they existed? I am answering your question with questions to stall. Fine. Three books.

“The Hagakure.”

“The Hotel New Hampshire.”

The Torah

Choose one painting that describes who you are. What is it?

My buddy Tim Kent is a brilliant artist and a good dude. He did this painting that murdered me when I saw it, called “The Night’s Heir,” and I totally see me in the horse. Open to the bone with exposed innards and meat, as if it were an everyday happening.

kent

Kent

 

Choose a gif that encompasses mornings for you.

 What do you imagine the apocalypse is like? How would you want to die?

My own apocalypse is my inability to get shit right the first four or fives times I try. I imagine the actual apocalypse is what we’re living right fucking now. Climate change and war and violence in every city pushed by the people in power who don’t want to lose their power and no money going toward education and hate and racism getting louder and hunger and prisons for profit and the drug wars and cellphones and anger anger anger. Don’t worry, though. The oceans will clean this all up and the salamanders will take over the earth soon enough.
I’ve dealt with more than my fair share of trauma in this life, so I would like to die in my sleep.

If you could only watch three films for the rest of your life, what would they be?

Only three? Fuck. Alright, here we go:

“Mean Streets.”

“Dumb and Dumber.”

Any Kurosawa film will do.

How would you describe your social media persona/role?I have a very hot/cold relationship with social media. I have quit every platform at one point or another and come back to them. I think I use each one differently and always have. Facebook is definitely kind of sincere and a little bit over the top for me. I try not to nudge people too much there, folks get sensitive and then have too much room to say whatever they want. I don’t want to hear or read any of that, I have my own demons. I use Instagram as a marker of sorts. Anyone who follows me there knows they will get photos of clouds and churches and dogs who come into the coffee shop where I work, with occasional videos of me zoning out on guitar.

Twitter is another beast and I still have no fucking clue why I came back to it. I mostly use it as a steam valve and try not to govern myself too much. Hilariously, these are all facets of my real self. On Tumblr, I definitely try to write a little more and try to open myself up a bit. Kind of like a proving ground for longer pieces of work or work that might end up being a “thing.”As far as roles go? Who says I should have one? I’m just being alive.

 What’s your favorite animal and why?

My dog, Gracie. Because she fucking rules.

 What do you carry with you at all times?

Hope.


sean doyle

Robb Todd

Sean H. Doyle lives in Brooklyn, NY. He works hard every day to be a better person and is learning how to love himself more. His book, This Must Be The Place, is forthcoming from CCM in 2015. For more information on Sean and his work visit his website at www.seanhdoyle.com or follow him on Twitter @seanhdoyle

 

joanna valenteJoanna C. Valente is a human who lives in Brooklyn, New York. She is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (ELJ Publications, 2016), & Xenos (2016, Agape Editions). She received her MFA in writing at Sarah Lawrence College. She is also the founder of Yes, Poetry, as well as the managing editor for Luna Luna Magazine and CCM. Some of her writing has appeared in Prelude, The Atlas Review, The Feminist Wire, BUST, Pouch, and elsewhere. She also teaches workshops at Brooklyn Poets.

November 14, 2016
alexandra naughton

Coping with Alexandra Naughton, Author of ‘American Mary’

by CCM November 7, 2016
written by CCM

#CopingWith is CCM’s interview series run by managing editor Joanna C. Valente


Alexandra Naughton’s poetry collection, “American Mary,” came out on March 11, 2016 from CCM. Of the book, Carleen Tibbetts has said, “This story is one of brave endurance in the face of loneliness and mediocrity. Naughton ‘fail Mary’ weaves searing insights among instances of the depersonalization of being marketed as ‘a capitalist body.’” As such, we interviewed her about her book, although instead of asking her boring lit questions, our managing editor Joanna C. Valente asked her about everything else instead, like what her favorite meal and apocalypse plans are.

americanmaryx1-1170x1854

Here’s what she said:

Describe your favorite meal. 

My favorite meal is probably breakfast, after noon, with black coffee or an almond milk latte, maybe a bagel and cream cheese, or maybe some kind of sandwich. I like sandwiches a lot, and diners. I wish the East bay or the bay area in general had more 24 hour diners. Is that an East coast thing? There’s so many all night diners in Philly. A 24 hour diner is great because you can take a late night bike ride to the art museum and then ride around Kelly drive and then head back to South Philly and get a patty melt and a milkshake before going back home to crash. And the endless coffee. And there is just something so pure and simple and pleasurable about sitting in a booth and looking out the window onto a parking lot or highway or back alley.

What music do often you write to, if at all? 

Whatever album I’m currently obsessed with. The newest project I’ve been working on, I’ve been writing along to art angels by Grimes. I wrote a lot of American Mary while listening to the song born to die by Lana Del Rey on repeat. I love listening to songs and albums on loop while I’m working because then I get into a rhythm and I’m not thinking about the music but it’s a way to keep track of time. This is the best when I really feel like I’m on a roll in regard to generating work.

What are three books that you’ve always identified with?

“Their Eyes Were Watching God,” “The Egypt Game,” and “Jesus’s Son.”

What do you imagine the apocalypse is like? How would you want to die?

The apocalypse is like being crushed slowly without really knowing it’s happening and you’re still able to operate your limbs but everything takes longer than you think it should and your head always hurts and you’re always tired and people tell you that you’re having a good time and doing a good job but you feel like you’re not making any progress and everything you see around you is somewhat frustrating especially when you think about it for too long so you try to get out of your head and into nature just take long walks but you eventually have to return to the daily monotony and the pleasant times always feel shorter than they should and you think if you just keep moving your limbs or at least nodding your head or at least listening to what they say and doing the work they give you that eventually you can just check out and everything can feel like a long walk for the rest if you’re time but you just keep toiling and sinking further into debt that you can’t think about because it makes your stomach turn and your heart race.

In an ideal situation, I’d like to bleed out via vampire.

If you could only watch three films for the rest of your life, what would they be?

“The Birds,” “Clueless,” and “Body Double.”

How would you describe your social media persona/role?

Annoying girl. I don’t know why I’m here. I guess I’m just trying to have fun. Maybe I’m too vertical sometimes but I feel like I’m mostly just cracking jokes or hating on myself.

What’s your favorite animal and why?

My cat, Sookie. Or a sparrow.

What do you carry with you at all times? 

My keys.

Choose a gif that encompasses mornings for you. 

Choose one painting that describes who you are. What is it?

“Prometheus Bound” by Peter Paul Reubens & “The Execution of Lady Jane Grey” by Paul Delaroche.

Delaroche

Delaroche

Reubens

Reubens


alexandra naughton

Joe Carrow

Alexandra Naughton is editor in chief of @baipress in California. Her first novel, American Mary, was published by Civil Coping Mechanisms in March 2016 . She’s a Libra. Follow her on twitter: @thetsaritsa

 

 

 

 

 

 

joanna valenteJoanna C. Valente is a human who lives in Brooklyn, New York. She is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (ELJ Publications, 2016), & Xenos (2016, Agape Editions). She received her MFA in writing at Sarah Lawrence College. She is also the founder of Yes, Poetry, as well as the managing editor for Luna Luna Magazine and CCM. Some of her writing has appeared in Prelude, The Atlas Review, The Feminist Wire, BUST, Pouch, and elsewhere. She also teaches workshops at Brooklyn Poets.

November 7, 2016
lauren hilger

Coping with Lauren Hilger, Author of ‘Lady Be Good’

by CCM November 2, 2016
written by CCM

#CopingWith is CCM’s interview series run by managing editor Joanna C. Valente


Lauren Hilger’s debut collection, “Lady Be Good,” just came out on October 31, 2016 from CCM. Clearly, we’re pretty excited to bring her gorgeous book out into the world–so excited that we interviewed her about it. Except instead of asking her boring lit questions, our managing editor Joanna C. Valente asked her about everything else instead, like what her favorite meal and gif are.

lady be good

Here’s what Lauren had to say:

Describe your favorite meal.
The Italian Christmas Eve seven fishes, but the next morning, for breakfast. Heaven. This makes me sound like a cat, but I think about it all year.

What music do often you write to, if at all?
Chet Baker.

How would you describe your gender?
I present as high femme.

What are three books that you’ve always identified with? 

Edna St. Vincent Millay’s Fatal Interview: Sonnets, Anne Brontë’s Agnes Grey, Mikhail Bulgakov’s Master and Margarita. 

Choose one painting that describes who you are. What is it?
Gustave Courbet’s Self-Portrait (The Desperate Man.) Not with fear, but awe, and always grabbing my hair.

Choose a gif that encompasses mornings for you.


What do you imagine the apocalypse is like? How would you want to die?
I once got stuck in a blizzard, in the Canadian wilderness, on a horse. It was just hours on a horse with my legs numb. I was with my friends, but we each were on our own horse so we couldn’t communicate. We also couldn’t see beyond the few feet ahead. We’d start getting warm and sleepy then would laugh because we knew that was a bad sign. It was funny and profound and excruciating and stunningly beautiful, too. So, like that.

If you could only watch three films for the rest of your life, what would they be?
The Third Man, All About Eve, Niagara.

How would you describe your social media persona/role?
On Twitter, making jokes to the void, at which no one laughs.  

What’s your favorite animal and why?
Humans! Because we can make fire and music and art.

What do you carry with you at all times? 
My friend Rowan Hisayo Buchanan gave me this porcelain key in a tiny cloth envelope. I used to carry an antler with me, not all the time, but enough. I’ve accepted the porcelain key as a reminder to be easier. To be gentler, too, since it’s fragile.


lauren hilger

T Kira Madden

Lauren Hilger is the author of Lady Be Good (Civil Coping Mechanisms, 2016.) Awarded the Nadya Aisenberg Fellowship from the MacDowell Colony, where she was a fellow in 2012 and 2014, her work has appeared in Gulf Coast, Harvard Review Online, Kenyon Review Online, and Massachusetts Review, among other journals. She serves as a poetry editor for No Tokens.

 

joanna valenteJoanna C. Valente is a human who lives in Brooklyn, New York. She is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (ELJ Publications, 2016), & Xenos (2016, Agape Editions). She received her MFA in writing at Sarah Lawrence College. She is also the founder of Yes, Poetry, as well as the managing editor for Luna Luna Magazine and CCM. Some of her writing has appeared in Prelude, The Atlas Review, The Feminist Wire, BUST, Pouch, and elsewhere. She also teaches workshops at Brooklyn Poets.

November 2, 2016

NOW AVAILABLE: Quarter 4 2016 Catalogue

by CCM October 31, 2016
written by CCM

bruja-frontcover-final“In Bruja, Wendy C. Ortiz deftly navigates the land of dreams in what she calls a dreamoir. By telling us her dreams, by revealing her most unguarded and vulnerable self, Ortiz is, truly, offering readers the most intimate parts of herself–how she loves, how she wants, how she lives, who she is. Bruja is not just a book–it is an enigma and a wonder and utterly entrancing.”
–Roxane Gay, author of Bad Feminist

Amazon | Barnes & Noble | Goodreads

 

 

 

alligatorsofabrahamcoverfinallll“It’s the skull-fucking you didn’t know you needed.”
–Liberty Hardy, Book Riot
BACK WITH A NEW, DEFINITIVE EDITION: Robert Kloss’s The Alligators of Abraham is a fever dream built from the fly strewn corpses of armies, the megalomania of generals, the madness of widows, the fires of mourning, the fury of the poor, the indifference of the wealthy, and the ravenous hissing of those alligators who have ever plagued the shores of our national nightmares. The Alligators of Abraham is a Civil War epic unlike any other.

Amazon | Barnes & Noble | Goodreads

 

SimmonsCover“The stories Matthew Simmons tells in The In-Betweens are strange delights. I love the way he writes, between the unexpected and inevitable, the very narrow place where comedy and tragedy both live, and I love the weird little worlds that first appear alien but later open up to reveal the actual ache and joy inside. The In-Betweens is a really fun and meaningful book and I am happy I was alive to read it.”
–David Connerley Nahm, author of Ancient Oceans of Central Kentucky

Amazon | Barnes & Noble | Goodreads

 

 

sleepoversactual

I love how Henry Hoke plays fast and loose with autobiography and genre. The Book of Endless Sleepovers is wry and finely-wrought, a philosophical fever dream studded with the pleasure of proper names and surprising turns of phrase, a lyric page-turner.
–Maggie Nelson, author of The Argonauts

Amazon | Barnes & Noble | Goodreads

 

 

 

ladybegoodexterior-lk_22Lauren Hilger’s debut is a masterful expose of filmic proportions. In each poem is a film beckoning to be viewed, emotional resonance pulling you in for a full embrace. Lady Be Good is a delight and declares Hilger as an important voice in contemporary poetry.

Amazon | Barnes & Noble | Goodreads

 

 

October 31, 2016

#RECURRENT Selections & MAINLINE Winners

by The Accomplices October 2, 2016
written by The Accomplices

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MAINLINE SELECTIONS

Another MAINLINE down and now it’s time for me to go on and on about how tired and exhausted I am (when am I not?). Yeah, but that’s nothing new and not like it’s changing any time soon. Rather, I want to take a moment to express my sincerest gratitude and appreciation to not only our MAINLINE winner, Bud Smith, and our finalists–Julia Madsen, Brian Alan Ellis, Devin Kelly, Corinne Manning, and Carleen Tibbets–but also everyone that took part in the contest. It isn’t easy being a writer, constantly flanked by rejection and doubt; MAINLINE isn’t an easy contest, the transparency of the daily frontrunners list, the feeling of anxiety as being a contestant in wait to see if your name comes up. It’s not easy. Really, it can be terrifying. But you submitted anyway, and that shows an amazing amount of courage and professionalism. You’re willing to put yourself out there, even if it means completely shattering your comfort zone. Thank you for taking part in this contest. What’s more, thank you for taking part in our community. Together, we’re coping.

– MICHAEL J. SEIDLINGER

WINNER:

Bud Smith – Same Clothes as Yesterday

FINALISTS:

Julia Madsen – In the Event of Amnesia the City Will Recall
Brian Alan Ellis – Failure Pie in a Sadness Face
Devin Kelly – My Lover, Don’t
Corinne Manning – We Had No Rules
Carleen Tibbetts – Dossier for the Postverbal

From Same Clothes as Yesterday (Bud Smith)

I’ve never been to college. I don’t have any education past high school, but I write.

I’m that weirdo that thinks that anybody can make art and everybody should make art.

It doesn’t matter who you are: Your life can be improved by making some kind of art.

I’ve got no formal training and I’m pretty much the only guy I know working construction who reads books at all, but—

I write.

The closest I’ve come to attending college is NYU when I went there with a crew to torch apart the duct work system (big enough to walk through) in the nether regions of the building.

College was in session at the time and I’d walk through the campus in my work clothes, looking at the kids who went there like they were creatures from another planet.

They were looking at me the same way.


#RECURRENT SELECTIONS

First of all, thank you so much to all those who sent in their inspiring and heartbreaking manuscripts. The response was overwhelming and I’m so glad the call for submissions resonated with so many people. It affirms to me why #RECURRENT exists. It was incredibly difficult though to narrow down the selections. I cried, held my breath, sighed in awe, racked my brain, and was held in wonder. Ultimately, I decided to take on a couple more titles than my initially intended two, and to help me with this cause, I’m also excited to be introducing John Venegas as #RECURRENT’s Assistant Editor.

You guys, I can’t express how excited I am to be bringing these books out into the world. They’re going to blow you away.

– JANICE LEE

#RECURRENT / 2017 SELECTIONS:

Gabrielle Civil – Swallow the Fish
Christopher Higgs – As I Stand Living
Ella Longpre – How to Keep You Alive
Jared Joseph – Drowsy. Drowsy Baby.

FINALISTS:

Jaclyn Watterson – Ventriloquisms
Meghan Lamb – Significant Others
Sara Finnerty – Katherine in the Desert
Joseph Han – Dear Who Abandoned Me
Isabelle Davis – Light Curtained It
Rae Gouirand – Glass is Glass Water is Water
Linda Michel-Cassidy – Welcome to Paradise
Stacy Hardy – An Archaeology of Holes

Excerpts from the selected manuscripts:

From Swallow the Fish (Gabrielle Civil):

To swallow the fish, you had to have something more than a reason. In a way, you had to reject reason itself. You had to have spirit (and perhaps spirits and the spirits too). Especially as a nice black girl, as a strong black woman. You couldn’t just get away with whatever. Hell no. You could be crucified for that, or worse gain a bad reputation. Animal murderer. Race traitor. Nasty girl. Acting crazy. Acting up. Performing. Anything could happen to you. Anything could happen. It couldn’t be pretense or something to do for kicks. It had to be real. There had to be some black art, some power, some need and conviction that warranted that kind of transformation. A particular kind of magic. . .

From As I Stand Living (Christopher Higgs):

Each time a book comes into the world I get really sad. It is a terrible, miserable experience. I dislike it immensely. There really is no reward for it, except posterity. The only thing that gives me any pleasure about publishing books is the knowledge that someone in the future will read it. Now, in this moment, it’s awful torture. Right now I wish I hadn’t published any books. The book comes out and no one talks about it, or if they do talk about it they talk about it for a second and then it’s over. If you talk about it too much you become an asshole. Self-promotion is looked down upon. In spite of that, I post about it and then refresh my Facebook and Twitter pages incessantly to see who has liked or re- tweeted my post, and mostly no one does and this makes me very sad. I am terminally sad when it comes to writing. I hate it. I really do.

From How to Keep You Alive (Ella Longpre):

A bone person, someone you see through. They live alone in a cornfield. When he speaks, what is behind him. Standing, heavy with empty. A creek appears in the frozen ground, he is bleeding. A creek appears in the sky. The father and son are caught in a circle, what happens to a circle under water. When we try to put out the fire. Another way to be locked in a room, another way to be lost in a room. A locked door, He said, why didn’t they break it down.

From Drowsy. Drowsy Baby. (Jared Joseph):

Claude Lanzmann interviews the survivors: He survived but is he really alive Claude Lanzmann asks the translator, asks indirectly his survivor interviewee, instead of asking him directly (though there is no direct, there are only directions, the director chooses them, because Claude doesn’t speak Polish nor Hebrew and the translator does, and because, well that’s the question coming, does Claude speak trauma? Do the survivors? Do the dead?) which I think is really cruel. Why are you telling me this story then Claude asks (I wipe out resistance) Because you’re insisting on it. We don’t get to know why Claude is insisting on it. Why does he smile all the time Claude asks same man, and the answer is mysterious by nature but it’s obvious too to the perceptive viewer, because it isn’t so far from crying, but it is the preferable option, and the survivor knows this and the survivor says this.


THE 2017 CATALOGUE:

(So far. Stay tuned for more exciting news/announcements) 

Russell Jaffe – Civil Coping Mechanisms (Red)
Sarah Certa – Civil Coping Mechanisms (Blue)
Chiwan Choi – The Yellow House
Gabrielle Civil – Swallow the Fish
Christopher Higgs – As I Stand Living
Calder Lorenz – One Way Down (Or Another) 
Scott Esposito – The Doubles
Ella Longpre – How to Keep You Alive
Bud Smith – Same Clothes as Yesterday 
Mathias Svalina – The Depression
Jared Joseph – Drowsy. Drowsy Baby.
Siân S. Rathore – Wild Heather

October 2, 2016

#RECURRENT is Accepting Submissions

by The Accomplices September 12, 2016
written by The Accomplices

– Janice Lee

#RECURRENT IS REIMAGINING STORYTELLING. IS INNOVATIVE LITERATURE. IS WRITING THAT MAKES YOU FEEL ALL THE FEELINGS.

I’m excited to announce the the #RECURRENT series is open for submissions. At least one manuscript will be selected for publication in 2017.

What is #RECURRENT?

#RECURRENT is an ongoing series of exceptional writing at Civil Coping Mechanisms. The series seeks to push the boundaries of narrative with books that seek to reconstruct, reimagine & expand on existing narrative spaces. Not bound to genre or category, #RECURRENT books are intuitive, instigative, innovative, sensitive, perceptive, heart-breaking, and honest. The first two #RECURRENT titles at CCM are Gaijin by Jordan Okumura and Blind Spot by Harold Abramwitz. (The previous edition of the series at Jaded Ibis Press also published Crepuscule W/ Nellie by Joe Milazzo and Family Album by Jason Snyder.) The series is edited by Janice Lee.

What am I looking for?

More than anything, I’m interested in writing that gestures towards intimacy in different ways, in writing that isn’t afraid to reveal or retreat, and writing that makes us feel all the feelings.

I’m especially looking for manuscripts by women, non-gender binary individuals, writers of color, or individuals from marginalized backgrounds.

I’m also especially interested in works of prose: fiction, nonfiction, essay, hybrid works.

Guidelines:

Email your entire manuscript to janice@entropymag.org in a doc, docx, or pdf format. (If you send a pdf, I may need a doc or docx file later.)

Please include “#RECURRENT Submission” in the subject of your email.

Include any context or relevant details about the work, what category you might include it in (ie. fiction or nonfiction), and whether you feel the work is in dialogue with any other writers or works.

Also include a brief bio.

Deadline: October 1, 2016.

September 12, 2016

Tiny Hardcore Press to Become an Imprint of Civil Coping Mechanisms

by CCM September 12, 2016
written by CCM

Announcement2


Civil Coping Mechanisms
is excited to announce the inclusion of the independent publishing house, Tiny Hardcore Press, as a new powerhouse imprint under the CCM brand. The house will continue to publish innovative fiction and poetry and to commemorate the merger, the latest Tiny Hardcore title, “This is a Dance Movie!” by Tim Jones-Yelvington is immediately available.

 


Dance-Movie-Full-Cover“This is the short story collection as playful dance party among serious things—a remix of pop culture, gay sex and celebrity, ranging from the confectionary to the visionary. A collection of sparks for various fires, from a bold young talent finding his way forward.”
—Alexander Chee, author of The Queen of the Night

“Beautifully written in perfectly realized sentences, with dead- on moments of recognition that require the reader to pause and savor the pleasure of rereading, these stories are brilliantly original, sexually frank, even a bit frightening perhaps, but very funny. Surreally, subversively, wonderfully funny.”
—Susan Nussbaum, author of Good Kings, Bad Kings

“Tim Jones-Yelvington’s This is a Dance Movie! feels like a wound your dear childhood friend begged you to look at, and when you peered in it oozed glitter. This collection leans in, familiar, knowable, and then it dazzles you, leaving you blinking, waiting impatiently for when you can see again to read more.”
—Lindsay Hunter, author of Ugly Girls


ABOUT THE PRESS

Tiny Hardcore was founded by Roxane Gay in 2010 and quickly became an indie household name, publishing titles by the likes of xTx, Casey Hanaan, Brandi Wells, Cassandra Troyan, Robb Todd, James Tadd Adcox, Brian Oliu, and more. Read about Tiny Hardcore‘s startup, click here and here.


TinyBacklistSample
Tiny Hardcore’s complete backlist will be available to purchase everywhere books are sold September 30th. Stay tuned for new CCM Tiny Hardcore acquisitions announcements. We’re coping.

 

September 12, 2016

NOW AVAILABLE: The Quarter 3 2016 Catalogue

by CCM August 14, 2016
written by CCM

ThereShouldJoshJen“Espinoza’s debut is a searing interrogation of the world and the self at once. Here, the body is a fixation–as if to look away from it, even briefly, is to risk having it erased. As such, this is a book of unblinking human preservation, and how we trespass ourselves seeking safer spaces. “There is nothing I love more than an honest storm,” Espinoza writes. There Should Be Flowers is a storm to ravage and rearrange us from our crushing certainties. This book doesn’t need a blurb. It simply needs to be read.”
–Ocean Vuong, author of Night Sky with Exit Wounds

Buy | Goodreads

 

TransitoryCoverFront“Ingenious and mysterious, the stories of Tobias Carroll are spun with quiet loneliness and wild surprise. Transitory is that rare kind of collection where each story stands shining alone and, in the end, forms a beautifully melancholic whole. Tobias Carroll is an original and deeply exciting talent.”
–Laura van den Berg, author of Find Me

Buy | Goodreads

 

 

 

blind-spot-cover2-cr“This is a gorgeous slippery novel in the mode of Georges Perec or Magdalena Tulli or Azareen Van der Vliet Oloomi or . . . Harold Abramowitz! I read it with a tumbling sort of pleasure by a small body of water as a hummingbird with a purple throat came and went. It, the bird, seemed, in its hovering, to be trying to read Blind Spot over my shoulder. Is that why it kept coming back? One impossibly exquisite thing seeking another?”
—Danielle Dutton, author of Margaret the First

Buy | Goodreads

 

 

CtchFinal2“A tale of elusive revelations is rendered through interruptions and undercuts in Ctch’s Able To/Always Will. Like the thin lines of this snakelike text, meaning bares itself undeniably and a breath later, twists and coils back into the basket of the charmer. Every assertion is cast in excruciating doubt. Is it 4 am? Am I able to? What is sacred? What is an act? Whether we know for sure or not, we always will. Knowing while not knowing, that’s the paradox that drives this meditation on dialogue in the digital age.”
–Monica McClure, author of Tender Data

Buy | Goodreads

August 14, 2016

NOW AVAILABLE: The Quarter 2 2016 Catalogue

by CCM June 28, 2016
written by CCM

LBoBCover_1-copy“Justin Sirois has some really important things to say, and we need to listen. The Last Book of Baghdad is raw, riveting and revealing. Sirois is a master storyteller with the rare ability to highlight the perspectives of both the oppressed and oppressors. I guarantee that soldiers, policy makers and people who love literature alike will benefit, appreciate and learn from The Last Book of Baghdad.”
–D Watkins, author of The Beast Side and The Cook Up

Buy | Goodreads

 

 

carefulmountaincover“Sara June Woods poems turn love letters into investigations. By treating her subjects with sincere admiration and wonder, she seeks out answers within a transitory world that may never answer: handholding becomes a flood, a burning field becomes a home, a girl stuck on a ferris wheel becomes a thing for birds to fly through. Careful Mountain regards the slivers of the world as not only parts of a whole, but the whole thing itself.”
–Chelsea Hodson, author of Pity the Animal

Buy | Goodreads

 

Gaijin.cover.wip.june08-FINAL“And what is the measure of self inside grief? Jordan Okumura’s novel Gaijin is a body song. By weaving stories of loss and myth, Okumura brings an identity to life, half real, half imagined. I was mesmerized from start to finish.”
—Lidia Yuknavitch, author of Small Backs of Children

Buy | Goodreads

 

 

 

LangsonHalved“Remember to Never Get Better is Harmony Korine’s Spring Breakers but on the page, written by an Emily Dickinson if she had been locked out of her house for her whole life instead of locking herself inside of it. I am in love, and I am finally starting to say the word poetry again.”
–Giancarlo DiTrapano, editor of Tyrant Books

Buy | Goodreads

 

 

 

save“Equal parts vulnerable, logical, affirming, and schematic, In a Dream, I Dance by Myself, and I Collapse is a frothing workbook with ‘Floating fractals everywhere.’ Like a vending machine stocked with formal innovation, fabulist imagery, and rigorous self-examination, Zaikowski drops goodies all the way through. This is a must for anyone invested in how a self processes the world–and how the world processes a self.”

—Amy King, author of The Missing Museum, I Want to Make You Safe, and others

Buy | Goodreads

 

ifonly2“Andrew Miller’s If Only the Names Were Changed is the immensity of self turned into sharp, dangerous literature. The world/mirror inside the author has been dissected and is being offered for consumption, but not without a warning: this is brutal, sad writing that’s been touched by death, drugs, booze, heartache, and enough uncertainty and self doubt to make it as venomous as it is necessary, powerful, and true.”
–Gabino Iglesias, author of Zero Saints

Buy | Goodreads

June 28, 2016

#RECURRENT IS REIMAGINING. IS WRITING. IS COMING

by The Accomplices April 6, 2016
written by The Accomplices

#RECURRENT IS REIMAGINING STORYTELLING. IS INNOVATIVE LITERATURE. IS WRITING THAT MAKES YOU FEEL ALL THE FEELINGS.

– Janice Lee

When I started the #RECURRENT series initially with Jaded Ibis Press, it was with the intent to feature 3 particularly innovative novels that both carried on the legacy of the novel as an important, historical & unique literary structure, as well as to reimagine the novel as interface and interactive narrative.

I’m excited to officially announce that #RECURRENT is continuing and reborn as an ongoing series of exceptional writing with Civil Coping Mechanisms. [insert \m/ METAL \m/ here] The series will push the boundaries of narrative with books that seek to reconstruct, reimagine & expand on existing narrative spaces. Not bound to genre or category, #RECURRENT books will be intuitive, instigative, innovative, sensitive, perceptive, heart-breaking, and honest.

More than anything, I’m interested in writing that gestures towards intimacy in different ways, in writing that isn’t afraid to reveal or retreat, and writing that makes us feel all the feelings.

#RECURRENT, a new series at Civil Coping Mechanisms, is excited to present 2 titles in 2016.

Gaijin.cover.wip.june08-FINALGaijin by Jordan Okumura
(June 2016)

Deeply embedded in the novel Gaijin, by Jordan Okumura, is an unsettling nostalgia for family and for her Japanese culture, haunted by whispers and by abandoning, by illness and isolation, by silence and trauma. The novel attempts to simultaneously track a personal rupture and a family, through the painful and awkward reclamation of the self after sexual violence and the evocation of a patriarch who is half dreamed, half real.

Lidia Yuknavitch: And what is the measure of self inside grief? Jordan Okumura’s novel Gaijin is a body song. By weaving stories of loss and myth, Okumura brings an identity to life, half real, half imagined. I was mesmerized from start to finish.

Guest Edited by Laura Vena.

 

 

blind-spot-cover2-crBlind Spot by Harold Abramowitz (forthcoming August 2016)

This brilliant, poetic novel weaves a new structure for narrative, forces the reader to consider the complex and profound structures hidden in a record of time, each observation of the utterly quotidian transforming into a lyrical evocation of essential significance. Each repetition is a surprise, and each consideration an impossible enigma. Narrated by a mysterious and clairvoyant consciousness, Blind Spot, is both blind and honest, isolated and compulsive, and achieves with such magnificent beauty a reconceptualization of seeing and reading that one might enter this book through its first lines and wish to never come out again.

TC Tolbert: It’s one thing to write a novel about trauma – to tell a coherent story, to create (and be comforted by, to whatever extent) a narrative arc of pain and loss. But it’s something else entirely to find oneself inside a series of imagistic and syntactical loops – a Venn diagram of partial thoughts (or dreams or memories) that become more certain and more troubling each time they refuse to relate or resolve. Harold Abramowitz’s Blind Spot is not about anything – about, from the Old English, ‘outside of.’ Instead, it’s a kind of prayer made out of attention (Simone Weil). Incantatory and somatechnic. I fucking love this book. Abramowitz writes the mind and body (in trauma, in everyday life) from the knotted and careful inside.

April 6, 2016

Announcing the Winners of CCM’s #IAMCOPING Contest

by CCM March 30, 2016
written by CCM

MainlineCoping

March 30th 2016: Back in the summer of 2015, I had this idea bouncing around in the back of my head. It involved the CCM Mainline contest and testing things out with a prompt that might have been controversial for some. Given my nature to go ahead and tackle a risk, CCM announced the culmination of the idea, #IAMCOPING, wherein the aim of the contest was to answer the question:

The idea of a book titled “Civil Coping Mechanisms” written by an author or collaboration between authors that fully captures the “inner coping” of the press.

What might it be? A novel? A poetry collection? A little bit of everything?

Fast forward to AWP 2016 and hundreds of submissions later: CCM has found itself in yet another tie situation with its Mainline contest series. In a spectacular demonstration of interpretative potential of the prompt, our contest winners, Russell Jaffe and Sarah Certa, composed highly original collections exploring the nature of what it means to cope.

What is a civil coping mechanism? To answer, Jaffe tapped into the nature of community, lit citizenship, and the motivations of life and literary influences. Certa delved into the psychology of the self, particularly the pain, disorder, emotion, and reaches to which one must go in order to find and maintain oneself. Together, both exemplify, and act as bookends to, the full spectrum of what it means to cope with our intensely modern 24/7 tireless era.

Both books will be published as part of the 2017 CCM Catalogue. Thank you so much, everyone that took part in this exceedingly strange contest and we hope you’ll be around for when Mainline reconvenes later this year.

—
A Selection from Russell Jaffe’s Manuscript

CIVIL COPING MECHANISMS: A MAXIM

It’s not true what they say, you know,
about death and taxes.

There are a lot of tax loopholes
a few of us escape through.

Everyone is born. And no one escapes death.
Despite our elegies in lives, even our idols die.

That’s why life is all we assuredly know we have.
Right now, you are reading a book.

—
A Selection from Sarah Certa’s Manuscript

They (Civil Voices)

On the first day of fall I am in pieces
again, too many for anyone to hold.
Like a mirror I am shattered on the floor.
I try to pick myself up and cut my fingertips open,
pass like a ghost from one realm
of pain into the next. I know this is what it’s like
to be inside of you, and who’s to say
I’m not? But still they say I’m not. Still
they say boundaries, and I say trust me,
I’m not ever going to touch anyone again.
But still I have some questions
about reality and ownership, the prison
of words we keep trying to chisel open
with other, better words. If I listen
closely enough I bet you I can blow
a hole in the sky just big enough
for us to crawl through.
I write this poem and listen
to myself writing it, hear my synapses click
into tiny galaxies that will eventually form
a halo around both of our heads. I know
this is a form of meditation/hallucination,
but tell me how real I’m making you feel.
What they call a delusion is my heart growing big
in the space of your absence.
I don’t even have to get high
to open myself to the universal cinema
coursing through our lives at hyper­speed.
I’m so organic, it makes me
really easy to hate, so empty, it makes me
really tempting to fill. Is that
why you won’t leave? I feel you
on a molecular level, as if your body left
its heartbeat in me, each of my cells
an echo in mourning. I am trying
to trace the map of our collective love
and where it went wrong. A map
of all the bruises no one believes we have.
I can’t tell if I’m getting close.
I can’t tell what this film in my mind
is trying to say, this carcass of you
outlined in dark silvery green.
Green because I know you’re not ready to die,
which is why you keep coming to me,
why they keep bringing
me to the edge of you
as if I know how to get in.
As if it doesn’t matter what I want.
As if they know what I want.

—

We’re coping.

March 30, 2016

NOW AVAILABLE: The Quarter 1 2016 Catalogue

by CCM March 11, 2016
written by CCM

Lee-194x300

“To read Janice Lee’s new book, The Sky Isn’t Blue, is to remember. […] The book disappeared as it became each second ticking away in my life, reminding me that I will not be able to save it nor will I ever be able to forget. ”
–Chiwan Choi, author of Abductions

Product page | Amazon | Goodreads

 

 

 

 
RaGoransson“Love letters. Love poetry. […] Johannes Göransson’s letters to an ex-lover Ra — as well as the letters in this book to the radiator, history, Susan Sontag, America, poetry itself–come from a poet whose ‘heart [and poetics] belongs to a drive-by shooting.’ Reading them is to be invited into the theater of utterly mixed metaphors where nothing follows.’”
–Steve Tomasula, author of The Book of Portraiture

Product page | Amazon | Goodreads

 

 

 
insignificana“In the spirit of Donald Barthelme, Dolan Morgan queers the every day and leaves a sinister domestic scene behind.”
–Catherine Lacey, author of No One Is Ever Missing

Product page | Amazon | Goodreads

 

 

 

 

 
AmericanMaryx1“Told almost entirely through lyrical fragments and beautifully-observed scenes, Alexandra Naughton’s American Mary is the latest incarnation of the Great American Novella, at once unsettling and moving.”
–Michael Kimball, author of Us

Product page | Amazon | Goodreads

 

 

 

 
TheWomenFarmer“Reading Ashley Farmer’s The Women is like reading a cubist painting. […] Even as she unapologetically documents the power that systemic oppression has over our daily lives, her women emerge as brave, hungry, and resilient. The Women simultaneously made my blood boil and made me feel less alone.”
–Megan Martin, author of Nevers

Product page | Amazon | Goodreads

 

 

 
youwithyourCover“Gary Shipley’s conception of reality is more like our actual present reality than our literary culture’s usual inbred narrative realism can afford. […] Literature almost doesn’t deserve this maniac, and thank hell he’s here.
–Blake Butler, author of Three Hundred Million

Product page | Amazon | Goodreads

 

 

 

 
Mallbratcover“With pop pastiche, lyrical pirouettes, and sage insights parading as ‘confessions,’ these poems position—like a ballet class at its bar pivoting towards the mirror—the young against the old, the native against the new, and the innocent against the cynical to show them how, together, they more beautifully out of sync.”
–Monica McClure, author of Tender Data

Product page | Amazon | Goodreads

 

 

 

 

March 11, 2016

NOW AVAILABLE: The 2015 CCM Compendium

by CCM January 13, 2016
written by CCM
The CCM 2015 Compendium, CCM Compendium

Cover design by Ryan W Bradley

The 2015 Catalogue

-“Today I Am a Lion” – from “TODAY I AM A BOOK” – by Extie Ecks
-Selections from “THIS BORING APOCALYPSE” – by Brandi Wells
-“The Difference Between” – from “HOW TO POSE FOR HUSTLER” – by Andrea Kneeland
-“A Gin Blossum Struggles” – from ASURAS – by Jayinee Basu
-Selections from “THIS MUST BE THE PLACE” by Sean H. Doyle
-Selections from “THE ARSON PEOPLE” by Katie Jean Shinkle
-“Cable TV” – from “SPIRITUAL INSTRUMENT” – by M Kitchell
-“Pramble” – from “OHEY!” – by Darby Larson
-A Selection from “ANTIGOLF” by John Colasacco
-A Selection from “LAST MASS” by Jamie Iredell
-“Avenue C” – from “DESOLATION OF AVENUES UNTOLD” – by Brandon Hobson
-A Selection from “PLAYDATE” by Mark Katzman
-A Selection from “EVERYONE GETS EATEN” by Ben Brooks
-“Haul Road” – from “NOTHING BUT THE DEAD AND DYING” – by Ryan W. Bradley
-“Gloria” – from “RULES OF APPROPRIATE CONDUCT” – by Kirsten Alene Pierce
-“The Installation of Actions” – from “I/O: A MEMOIR” – by Brian Oliu
-“Refrigerator” – from “YOU AND OTHER PIECES” – by Corey Zeller
-A Selection from “THE DAYDREAM SOCIETY” by Evan Retzer

Glimpses from the 2016 Catalogue

-“Poem from Irfan Abrahim’s Last Book” – from “THE LAST BOOK OF BAGHDAD” – by Justin Sirois
-A Poem from “CAREFUL MOUNTAIN” by Sara June Woods
-“Growing Up” – from “ABLE TO/ALWAYS WILL” – by Ctch Bsnss
-“For Shame” – from “IF ONLY THE NAMES WERE CHANGED” – by Andrew Miller
-A Selection from “AMERICAN MARY” by Alexandra Naughton
-“Why I Was Not in New Jersey for Christmas in 1997” – from “TRANSITORY” – by Tobias Carroll
-“Sad Woman” – from “THE WOMEN” – by Ashley Farmer
-“The New Middle Class” – from “INSIGNIFICANA” – by Dolan Morgan
-“There Is No Such Thing as Apolitical Art Dumb Ass” – from “THERE SHOULD BE FLOWERS” – by Joshua Jennifer Espinoza
-“Moments from High School” – from “REMEMBER TO NEVER GET BETTER” – by Madison Langston
-“3 Ways I Don’t Want to Die” – from THE IN-BETWEENS – by Matthew Simmons
-“Night Ocean” – from “THE SKY ISN’T BLUE” – by Janice Lee
-“Please Tell Me I Am Just Kidding About This, Crumbs from My Sandwich Falling in Between my Breasts” – from “MALL BRAT” – by Laura Marie Marciano
-“How to Become a Better Sociopath” – from “IN A DREAM, I DANCE BY MYSELF, AND I COLLAPSE” – by Carolyn Zaikowski
-“Can You Use that in a Sentence” – from “THE BOOK OF ENDLESS SLEEPOVERS” – by Henry Hoke
-A Selection from “FLESH OF THE PEACH” by Helen McClory
-“Time of Killing off Surplus” – from “YOU WITH YOUR MEMORY ARE DEAD” – by Gary J Shipley
-A Selection from “DEAR RA” by Johannes Göransson
-“Problem of Plague” – from “CHARACTER, A MAP” – by Lauren Hilger
-A Selection from “THE DEPRESSION” by Mathias Svalina
-A Selection from “BRUJA” by Wendy C. Ortiz

 

Click Here to Buy the Compendium

January 13, 2016
accomplices-ramen-cats

The Accomplices LLC is a literary arts partnership and media company dedicated to amplifying marginalized voices and identities, particularly writers of color, through traditional and new media publishing, public engagement, and community building.


CCM + ENTROPY + WLP = THE ACCOMPLICES


The Accomplices is made up of the entities Civil Coping Mechanisms: publisher & promoter of kick-ass independent literature, Entropy: a magazine and community of contributors that publishes diverse literary and non-literary content, and Writ Large Press: an indie press that uses literary arts and events to resist, disrupt, and transgress.

We’re coping. No, we're thriving.

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I am an accomplice, too.

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