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The Accomplices LLC

Civil Coping Mechanisms / Entropy / Writ Large Press

  • About
    • About The Accomplices
    • Who We Are
  • Books
    • New/Forthcoming
    • Bestsellers
    • All Titles
  • Resources
    • Teaching Guides
    • Where to Submit (Entropy)
    • Trumpwatch (Entropy)
  • Projects
    • Current Projects
    • Past Projects
  • Opportunities
    • Partnership
    • Internships
  • Store
  • Contact
Yearly Archives

2019

Interview with Accomplice June Gehringer
Interview

Interview with Accomplice June Gehringer

by CCM March 17, 2019
written by CCM

1.   What’s your favorite song to dance to?
Whitney Houston – I Wanna Dance With Somebody. I’m not gonna try to write about Whitney at length here because I’ll start crying, but suffice it to say that we were lucky to have her on Earth for as long as we did.

2.   Describe your personal hell.
That feeling when someone you’re dating texts you “Hey, can we talk later?”, and you’re left waiting for like three hours. Except it’s not three hours, it’s eternity, and the little iMessage ellipses keep telling you that the other person is typing but they never send you anything and you just have to wait to find out what you did. Forever.

3.   What’s something that always makes you laugh?
My friend Lily is the funniest person on Earth. Like, if I had to pick one person to be stuck on a desert island with, I’d pick her. She’s proof that earth signs do in fact have personalities. I’d link to her twitter but she keeps getting doxxed by neo-nazis. Suffice it to say that her tweets are very outrageous and very good

4.   You’re sucked into a bad movie and you have to choose a point in history to live out the rest of your years. What time do you choose and why?
Oh gosh. I don’t know. There aren’t a lot of historical moments I can imagine in which I’d wanna be trans. Am I allowed to choose the present? If so, I’d pick that. Everyone I love lives here.

5.   What’s a gif that you can relate to?
This gif of Lucy Liu in Kill Bill is everything to me.

6.   You’re hit by lightning. What happens?
Ok, one of two things happen. Either I die or I don’t. If I die, there’s a funeral and it’s like this big tragic thing and a whole big mess and it fucks up everyone I love forever, to such a degree & in such a way that it’s hard for me to think about it, even in a completely hypothetical context. That or I… just get up and keep walking, and probably, like, try to go do whatever else I have to do that day.

7.   It’s snowing outside, how do you feel?
Like, cathartic melancholy. Thinking how it’s sad & pretty like a SZA song. At some point in the back of my brain there are practical voices telling me that snow is a major nuisance, especially here in Philly, but mostly I feel gratified. Sad & peaceful & consoled.

8.   What’s a cat picture you can get behind?
This picture of my partner’s cat, Scrambles, makes me scream w/ laughter. Like, Scrambles is visibly a Pisces, lol.

9.   Where did you write most of your book? Why?
I wrote the first half of the book in various places in New Orleans, mostly in the bathroom at a restaurant I worked at. The second half was written on my phone, mostly while out drinking at Pageturners Lounge in Omaha, NE. I wrote at work because that was when I had time to write, and I wrote at the bar because I spent most of 2017-2018 in like a pretty unhealthy alcoholic haze. I’m glad to be healthy & (just over 9 months!!!) sober these days, & I can’t wait to soberly author my next book from the comfort of my bed.

10.   What are your struggles and strengths as a writer?
The pressure to publish has lead me to rush a lot of work out when I maybe didn’t need to. I love this book, but it’s not the book that I set out to write. It’s hard for me not to think about how good this book could have been if I had given myself another year or two to work on it. That said, I tend to produce a lot of work, to the point where it was relatively easy for me two put out two full-lengths almost exactly a year apart. I’m pretty much always churning stuff out. With my next book, I want to take the time I feel I deserve to produce something I’m really proud of. Like, if I really wanted to, I have enough work right now that I could feasibly assemble a publishable manuscript and start sending it out, but it wouldn’t be the book that I want to see in the world. I’m trying to coax myself into a little patience, and to be more loving with myself. I guess that’s my biggest struggle (and isn’t it everyone’s?)—loving myself and loving my work.

11.   Tell us a little about your writing process. What works, what doesn’t, what doesn’t but you still try anyway?
Sometimes I get this idea in my head that if I just go about my life and try to like be a conscious, decent person, that I’ll just naturally have these ~deep insights~ into life and I can just write them down in my phone notes as I go, casually casting off gems as I wander the world. It’s like the stupidest idea ever. That’s just not how making stuff works. A poem is a crafted object, like a kitchen table or a violin or macaroni art. If you practice often and attentively, you can get really good at making anything through thoughtful repetition. When I make time to read & study & actually sit down with ideas and force myself to work on something for a long time, that’s when my best work comes out. From the outside, all art seems esoteric & mystical, & on the inside it couldn’t be more unromantic. All it takes is repetition & a genuine desire to improve.

 


Born and raised in Omaha, NE, JUNE GEHRINGER is a mixed Chinese trans woman who is somehow still alive. She is the author of I love you it looks like rain (Be About It 2017), and EVERYONE IS A BIG BUG TO SOMEONE (self-published) 2017. She is the co-founder of tenderness yea, and tweets @unlovablehottie. She holds a B.A. in English from Loyola University New Orleans and has worked as a cook since she was 16.

March 17, 2019
Interview with Accomplice Rocío Carlos
Interview

Interview with Accomplice Rocío Carlos

by CCM February 27, 2019
written by CCM

1.   What’s your favorite song to dance to?
That depends. With my sister, any Sonora Dinamita song. At a family wedding, “El Sinaloense.” As part of a folklorico performance (I was a dancer, for 16 years), I love a good northern polka, a son jarocho or jaliscience. I like Blondie. And Prince. Pop and R&B and Hip Hop. I like that part of the night when you’re really sweaty and they bust out that really guilty pleasure and next thing you know you are touching your toes and shouting the lyrics. And when I’m home alone, I pretend I am an ice skater and twirl to Love on the Brain by riri.

2.   Describe your personal hell.
Watching my parents age.

3.   What’s something that always makes you laugh?
When Ana follows me around making a song out of whatever I’m doing. She writes good songs.

4.   You’re sucked into a bad movie and you have to choose a point in history to live out the rest of your years. What time do you choose and why?
History and the future all suck. So, I’d find the present again.

5.   What’s a gif that you can relate to?
Homer as a toasty cinnamon bun. I love getting under covers. SO. MUCH.

6.   You’re hit by lightning. What happens?
I get a cool new birthmark on the entire left side of my body. It looks like a purple firework. Also, I can now understand and speak every language in the world because the lightning scrambled my brain’s language center. So I have to hide this gift so the pentagon doesn’t disappear me and use me to decipher foreign intelligence. I have thought about this since I was a child : )

7.   It’s snowing outside, how do you feel?
Happy to be warm, inside.

8.   What’s a cat picture you can get behind?
Any picture of Scout my amazing sassy calico. Or do you mean like a famous cat. Whatever. Scout is famous.

9.   Where did you write most of your book? Why?
Here at home, outside in my yard or on my ratty blue couch covered in cat hair or at my wooden table.

10.   What are your struggles and strengths as a writer?
Um. Doing it. (Furrowing brows over here, trying not to be a sarcastic ass). I have a flair for impactful turns of phrases? A line that might haunt you a little? I’m bad at big picture stuff with a book-arc and such.

11.   Tell us a little about your writing process. What works, what doesn’t, what doesn’t but you still try anyway? jajajajajaja (me laughing in Spanish), like, people have a Plan? Okay, okay. I’ll get this preoccupation and it’ll eat away at my brain for a few months. Then I’ll start to try to articulate it to myself. Then I might write some stuff down. Then I’ll abandon it for months. Then someone who loves me will force me to re-engage it. Then, if someone asks to publish some or all of it I’m really screwed. Then I camp out on the couch, the table, outside in the yard with whiskey or a pop playlist or a box of tissues, swatting mosquitoes or freezing my ass off and crying and being sullen. Then my back is ruined and I have to go to the chiropractor and get strapped into decompression contraptions. So fun, writing books.

 


(the other house) by Rocío CarlosROCÍO CARLOS attends from the land of the chaparral. Born and raised in Los Ángeles, she is widely acknowledged to have zero short term memory but know the names of trees. Her other books include Attendance (The Operating System) and A Universal History of Infamy: Those of This America (LACMA/Golden Spike Press). She was selected as a 2003 Pen Center “Emerging Voices” fellow. She collaborates as a partner at Wirecutter Collective and is a teacher of the language arts. Her favorite trees are the olmo (elm) and aliso (sycamore).

February 27, 2019
Interview with Accomplice Gabriel Ojeda-Sagué
Interview

Interview with Accomplice Gabriel Ojeda-Sagué

by CCM February 21, 2019
written by CCM

1.      What’s your favorite song to dance to?
“This Must be the Place” by Talking Heads, though I sound like the perfect stereotype of someone in their twenties.

2.      Describe your personal hell.
An UberPool where the other passengers are wearing perfume.

3.      What’s something that always makes you laugh?
Susan Sontag shady frustrated interview/Camille Paglia’s maniacal response. If you haven’t watched, brace yourself for a life-changing video:

4.      You’re sucked into a bad movie and you have to choose a point in history to live out the rest of your years. What time do you choose and why?
Some time in Ancient Egypt. I don’t know, but if you have a society that lasts like 3,000 years, you must be doing SOMETHING right.
5.      What’s a gif that you can relate to?

6.      You’re hit by lightning. What happens?
Widespread tissue damage, cardiac arrhythmia, and loss of consciousness.

7.      It’s snowing outside, how do you feel?
Calm, a bit trapped, but in a good mood to read.

8.      What’s a cat picture you can get behind?
Any picture of my cats Beef and Panini. Here’s one:

9.      Where did you write most of your book? Why?
I wrote most of Losing Miami in my partially windowless apartment in Philadelphia, far away from Miami. Every so often, when I was home for vacation, I’d go to the beach to take notes. The beach, as it were, is the scene of the moving coastline and the potential sinking, even as it is the emblem of Miami’s potential for *fun*.

10.   What are your struggles and strengths as a writer?
I think I’m good at conceiving of a project’s ability to scale up or down, which means conceiving of a book’s contours comes easily to me. I think I’m a better book writer than I am a poem writer. I struggle a bit with making the individual parts of a book-machine (aka the poems) splendidly functional. Instead, I make them fragmented and unapproachable, so that one has to look across poems to find magic and meaning. A struggle and a strength!

11.   Tell us a little about your writing process. What works, what doesn’t, what doesn’t but you still try anyway?
I write late at night, usually in spurts. It’s a very undecorated scene of writing. I wish I woke up with the sun to write in longhand or some bullshit, but I really don’t. I open Microsoft Word after my partner has gone to bed and I try to spit something out. Eventually, something clicks and a book comes out. Hoorah!


GABRIEL OJEDA-SAGUÉ is a gay, Latino Leo raised in Miami, currently living in Chicago. He is the author of the poetry books Jazzercise is a Language ( The Operating System, 2018), on the exercise craze of the 1980s, and Oil and Candle(Timeless, Infinite Light, 2016), on ritual and racism. He is also the author of chapbooks on gay sex, Cher, the Legend of Zelda, and anxious bilingualism. He is currently a PhD candidate in English at the University of Chicago.

February 21, 2019
The Spring 2019 Catalog is Here!
AnnouncementBooks

The Spring 2019 Catalog is Here!

by The Accomplices February 15, 2019
written by The Accomplices

The full Spring 2019 Catalog is released today. Are you excited? We’re excited. Meow meow. Order your copies now!


Experiments in Joy
by Gabrielle Civil

MEMOIR / PERFORMANCE ART / BLACK FEMINISM / #RECURRENT

More Details / Amazon / BN / Indiebound

Gabrielle Civil’s Experiments in Joy celebrates black feminist collaborations and solos in essays, letters, performance texts, scores, images, and more. Following her explosive debut Swallow the Fish, Civil now documents her work with From the Hive, No. 1 Gold, and Call & Response—whose collaborative Call inspired the title. The book also features her solo encounters with artists and writers, ancestors and audiences. Here you will find black girlhood, grief, ghosts, girls in their bedrooms, lots of books, dancing, reading, falling in love, fighting back, and flying. With lots of heart and the help of her friends, Civil keeps reckoning with performance, art and life.

Civil has made a book into a performance space and living archive. Words dance and bodies speak: together they invent languages of keen pleasure and ardent thought… Read, watch, listen and dream. Be transformed. —Margo Jefferson, author of Negroland: A Memoir


Losing Miami
by Gabriel Ojeda-Sagué

POETRY / BILINGUAL / ENVIRONMENTAL / #RECURRENT

More Details / Amazon / BN / Indiebound

Losing Miami is an experiment in grieving the potential loss of Miami to rising sea levels. What are we losing if we lose Miami, a seemingly impossible city formed out of Caribbean migration and the transformation of language? This book asks how we cope with loss at such a grand scale, all while the world continues to rapidly change.

In Losing Miami, Florida figures as the locus for family, exile, and climate change in this beyond-book, which commemorates and elegizes the id-beauty of the state. Like Eduardo Galeano, Ojeda-Sagué speaks in fictions and dreams and hurricanes in order to capture the myriad currents that shape the geography and history of the state, particularly in the Cuban-American community that he describes with tenderness and acuity in an inspired approach to inscription. —Carmen Gimenez Smith, author of Cruel Futures


Letters to My City
by Mike Sonksen

POETRY / ESSAYS / LOS ANGELES / WRIT LARGE

More Details / Amazon / BN / Indiebound

The poems and essays in Letters to My City combine two decades of field experience, research, personal observations, and stories told to the author, a third-generation Los Angeles native, by his grandfather and other family members, to interrogate all sides of Los Angeles, its streets, its people, its neighborhoods, as a means to examine the postmodern metropolis.

In innumerable essays and performances, frequently in public schools, he has opened a new generation’s eyes to LA’s extraordinary history of underground and underdog cultures. What Whitman was to Brooklyn, Poet Mike is to contemporary LA. —Mike Davis, author of City of Quartz


Psychopomps
by Alex DiFrancesco

MEMOIR / CREATIVE NONFICTION / TRANS/LGBTQ / CCM

More Details / Amazon / BN / Indiebound

Psychopomps follows DiFrancesco on the search for family, marriage, relationships with other trans people, attempts to build community, and for the elusive link to ancient beliefs about the special spiritual role of the trans individual in society.

Psychopomps is a collection of essays that examines not just the ways in which we are torn apart, but more importantly, the ways we knit ourselves back together. DiFrancesco has a deft hand with language and a keen insight into herself and others, and this collection captures what it means to be young and bent toward justice in this moment in time.

–Sarah Einstein, author of Mot: A Memoir

 


(the other house)
by Rocío Carlos

POETRY / BILINGUAL / MEMORY / GHOSTS / #RECURRENT

More Details / Amazon / BN / Indiebound

(the other house) is a book, a poem, a book of poems, that is also ghost document and prenatal correspondence. It was written as the author read through the draft of a manuscript for The Yellow House, by her friend, the poet Chiwan Choi. Ghost because it is a letter of the dead to the dead, but prenatal because the manuscript it addresses hadn’t been published yet. Her notes and questions eventually became a conversation with the text itself, with the speaker of the poems, with no one in particular, with the dead, with old lovers, with her own work, and with the author herself. This book is a response, a map, a thread of hauntings, a reconstructed memory of loss and the body, language and desire.

The Other House is less a blueprint and more of a map, a legend, and a history of a home assembled piece by piece from a language made from mismatched tongues. Carlos refuses convention at every turn. She takes your rigid expectations and returns them as polished stones. With Carlos, the shortest distance between two points is never a straight line. This book reminds me of everything I love about poetry.
–Joseph Rios, author of Shadowboxing: poems & impersonations



2019 Membership

Want all of the 2019 titles for one low price? For serious cats only. Get all of our 2019 releases (that’s 10 books!) for one low price of $100. (Books will be shipped as they are released in the spring, summer, and the fall, for a total of 3 shipments). Meowza!

Losing MiamiPsychopompsthe other houseLetters to My CityExperiments in Joy

[PLUS Entering the Blobosphere: A Musing on Blobs by Laura Hyunjhee Kim, Navigating With(out) Instruments by Traci Kato-Kiriyama, American Symphony: Other White Lies by Suiyi Tang, Between Appear and Disappear by Doug Rice, Ghosts Are Just Strangers Who Know How to Knock by Hillary Leftwich]

Buy Now
$100
Includes shipping / For readers in the United States only

~(=^‥^)_旦~ ~(=^‥^)_旦~ ~(=^‥^)_旦~ ~(=^‥^)_旦~ ~(=^‥^)_旦~ ~(=^‥^)_旦~

February 15, 2019
Interview with Accomplice Gabrielle Civil
Interview

Interview with Accomplice Gabrielle Civil

by CCM February 12, 2019
written by CCM

What’s your favorite song to dance to?
In the studio: “Let’s Work”-Prince and “Vamos a la Playa”-Cibo Matto / this morning in my house “The Highway”-Tunde Olaniran because its groove makes me wiggle.

Describe your personal hell.
A chatty Lyft driver masking deep angst with descriptions of hot chicks.

What’s something that always makes you laugh?
The Muppets. Always.

You’re sucked into a bad movie and you have to choose a point in history to live out the rest of your years. What time do you choose and why?
 Right here. Right now. Let’s keep going. I want to be here when we win.

What’s a gif that you can relate to?
My body.

You’re hit by lightning. What happens?
My hair looks the way it did after that one hard perm in Detroit in my tween years. (The lye! the burn!)

It’s snowing outside, how do you feel?
Smug and pleased that I have moved to southern California where this is clearly not happening and I don’t have to dig out my car as I had to for many, many years.

What’s a cat picture you can get behind?
Hello Kitty. On a notebook with a matching pencil and eraser.

Where did you write most of your book? Why?
A whole bunch of places—Minneapolis, Detroit, Columbus, Dayton, Yellow Springs, Ohio, St. Louis, on an old farm in South Carolina with Lewis, visiting Rosa in Trinidad, Andrea’s sublet in LA in the summer where I could see palm trees and sunsets. I travel a lot and have moved a lot over the last five years. So this book is a mixtape of people & places.

What are your struggles and strengths as a writer?
Too brainy/ mushy/ academic/ nerdy/ earnest/ abstract/ dense/ poetic/ too black/ not black enough/ too much information/ too private/ too controlled/ self-aware/ refusing to be just one way or one thing/ questioning & yearning. Those are my struggles and my strengths.

Tell us a little about your writing process. What works, what doesn’t, what doesn’t but you still try anyway?
I strive to write to and from the body. I strive to connect writing and performance and life through a chronicle of performance body that would contribute to and honor an archive of black women’s creative expression. I am aiming for the long game—the idea that somewhere at some point, some one who really needs it will find my books (like a leaflet in that poem by Adrienne Rich) and that the words there, the images, will make a difference. I scribble in notebooks. I type on a screen. I put sheets of paper down in a room and move them around with my hands. I hustle and floss and cajole people to read my stuff now with my third eye open to the future.

 


Experiments in Joy by Gabrielle CivilGABRIELLE CIVIL is a black feminist performance artist, originally from Detroit, MI. She has premiered fifty original solo and collaborative performance works around the world. Signature themes included race, body, art, politics, grief, and desire. Since 2014, she has been performing “Say My Name” (an action for 270 abducted Nigerian girls)” as an act of embodied remembering. She is the author of Swallow the Fish and Tourist Art (with Vladimir Cybil Charlier). She currently teaches Creative Writing and Critical Studies at the California Institute of the Arts. The aim of her work is to open up space.

February 12, 2019
Interview with Accomplice Alex DiFrancesco
Interview

Interview with Accomplice Alex DiFrancesco

by CCM February 7, 2019
written by CCM

What’s your favorite song to dance to?
“Untitled” from In The Aeroplane Over the Sea. I’m ’90s trash.

Describe your personal hell.
I have a recurrent fear of losing my ability to speak and form words, or anything messing with my brain’s language centers. I’m aphantasic, so most of my inner life and memories reside in words.

What’s something that always makes you laugh?
Iggy Pop singing “Surfin’ Bird” to his cockatoo, Biggy Pop

You’re sucked into a bad movie and you have to choose a point in history to live out the rest of your years. What time do you choose and why?
I’d go back to any time when New York was dirty and affordable. Now it’s just dirty. It was my home, and the first place that I felt embraced as a human, and where I felt that potential was everywhere. I can’t live there anymore, and I miss it all the time.

You’re hit by lightning. What happens?
I fall down?

What’s a gif that you can relate to?

It’s snowing outside, how do you feel?
Cold.

What’s a cat picture you can get behind?
My favorite picture of my evil cat, Sylvia.

 

 

 

 


Where did you write most of your book? Why?

A coffee shop in Little Italy, Cleveland. I lived in a really shitty apartment and I had a crush on the barista.

What are your struggles and strengths as a writer?
I wish I could quit poking myself in the eye with this ink pen.

Tell us a little about your writing process. What works, what doesn’t, what doesn’t but you still try anyway?
I wake up at 5 or 6 every day and write for about 2 – 3 hours. It’s before the internet and my phone and life bother me. There’s an incredible peace in being the only one awake, and looking up from your screen only to realize the sun came up while you were deep in your work.

 


 

ALEX DIFRANCESCO, author of Psychopomps, is a writer of fiction and nonfiction whose work has appeared in The Washington Post, Tin House, Brevity, and more. They are a 2017 winner of SAFTA’s OUTSpoken Competition, and were long listed in Cosmonauts Avenue’s Inaugural Nonfiction Prize. They have recently moved to Ohio, where they are still trying to wrap their head around “Sweetest Day.”

February 7, 2019
The Roswell Award – Best Translated Science Fiction Story
AnnouncementNews

The Roswell Award – Best Translated Science Fiction Story

by Writ Large Press January 19, 2019
written by Writ Large Press

We are super excited to be a sponsor of the Roswell Award in the Best Translated Science Fiction Story category.

Here is some info:

This award recognizes an author and translator team for an original short sci-fi story translated into English from another language. The story must follow The Roswell Award guidelines. We are looking for great, unique sci-fi stories that are clearly well-translated and have been edited and polished before submission.

The winner will receive publication in ENTROPY magazine online and $100.00 USD cash from Sci-Fest LA co-founder Michael Blaha. The winning story will be read on stage at LitFest Pasadena on Saturday, May 18, 2019, and the writer and translator will officially be recognized at the event.

Download The Roswell Award guidelines here.

January 19, 2019
#THEACCOMPLICES: What’s Forthcoming in 2019
News

#THEACCOMPLICES: What’s Forthcoming in 2019

by The Accomplices January 9, 2019
written by The Accomplices

SPRING 2019:

Experiments in Joy
by Gabrielle Civil

MEMOIR / PERFORMANCE ART / BLACK FEMINISM / #RECURRENT

Gabrielle Civil’s Experiments in Joy celebrates black feminist collaborations and solos in essays, letters, performance texts, scores, images, and more. Following her explosive debut Swallow the Fish, Civil now documents her work with From the Hive, No. 1 Gold, and Call & Response—whose collaborative Call inspired the title. The book also features her solo encounters with artists and writers, ancestors and audiences. Here you will find black girlhood, grief, ghosts, girls in their bedrooms, lots of books, dancing, reading, falling in love, fighting back, and flying. With lots of heart and the help of her friends, Civil keeps reckoning with performance, art and life.

Civil has made a book into a performance space and living archive. Words dance and bodies speak: together they invent languages of keen pleasure and ardent thought… Read, watch, listen and dream. Be transformed. —Margo Jefferson, author of Negroland: A Memoir


Losing Miami
by Gabriel Ojeda-Sagué

POETRY / BILINGUAL / ENVIRONMENTAL / #RECURRENT

Losing Miami is an experiment in grieving the potential loss of Miami to rising sea levels. What are we losing if we lose Miami, a seemingly impossible city formed out of Caribbean migration and the transformation of language? This book asks how we cope with loss at such a grand scale, all while the world continues to rapidly change.

In Losing Miami, Florida figures as the locus for family, exile, and climate change in this beyond-book, which commemorates and elegizes the id-beauty of the state. Like Eduardo Galeano, Ojeda-Sagué speaks in fictions and dreams and hurricanes in order to capture the myriad currents that shape the geography and history of the state, particularly in the Cuban-American community that he describes with tenderness and acuity in an inspired approach to inscription. —Carmen Gimenez Smith, author of Cruel Futures


Letters to My City
by Mike Sonksen

POETRY / ESSAYS / LOS ANGELES / WRIT LARGE

The poems and essays in Letters to My City combine two decades of field experience, research, personal observations, and stories told to the author, a third-generation Los Angeles native, by his grandfather and other family members, to interrogate all sides of Los Angeles, its streets, its people, its neighborhoods, as a means to examine the postmodern metropolis.


Psychopomps
by Alex DiFrancesco

MEMOIR / CREATIVE NONFICTION / TRANS/LGBTQ / CCM

Psychopomps follows DiFrancesco on the search for family, marriage, relationships with other trans people, attempts to build community, and for the elusive link to ancient beliefs about the special spiritual role of the trans individual in society.

Psychopomps is a collection of essays that examines not just the ways in which we are torn apart, but more importantly, the ways we knit ourselves back together. DiFrancesco has a deft hand with language and a keen insight into herself and others, and this collection captures what it means to be young and bent toward justice in this moment in time.

–Sarah Einstein, author of Mot: A Memoir

 


(the other house)
by Rocío Carlos

POETRY / BILINGUAL / MEMORY / GHOSTS / #RECURRENT

(the other house) is a book, a poem, a book of poems, that is also ghost document and prenatal correspondence. It was written as the author read through the draft of a manuscript for The Yellow House, by her friend, the poet Chiwan Choi. Ghost because it is a letter of the dead to the dead, but prenatal because the manuscript it addresses hadn’t been published yet. Her notes and questions eventually became a conversation with the text itself, with the speaker of the poems, with no one in particular, with the dead, with old lovers, with her own work, and with the author herself. This book is a response, a map, a thread of hauntings, a reconstructed memory of loss and the body, language and desire.

The Other House is less a blueprint and more of a map, a legend, and a history of a home assembled piece by piece from a language made from mismatched tongues. Carlos refuses convention at every turn. She takes your rigid expectations and returns them as polished stones. With Carlos, the shortest distance between two points is never a straight line. This book reminds me of everything I love about poetry.
–Joseph Rios, author of Shadowboxing: poems & impersonations



Summer 2019:

Entering the Blobosphere: A Musing on Blobs
by Laura Hyunjhee Kim

BLOBS / NONFICTION / THEORY / CCM



Fall 2019:

Navigating With(out) Instruments
by Traci Kato-Kiriyama

POETRY / Writ Large


American Symphony: Other White Lies
by Suiyi Tang

EXPERIMENTAL / FICTION / CCM


The Sky Forever
by Kimberly Alidio

POETRY / EXPERIMENTAL / Writ Large


Between Appear and Disappear
by Doug Rice

HYBRID / MEMOIR / CREATIVE NONFICTION / CCM


Ghosts Are Just Strangers Who Know How to Knock
by Hillary Leftwich

FICTION / SHORT STORIES / CCM

 

January 9, 2019
THE ACCOMPLICES
Announcement

THE ACCOMPLICES

by The Accomplices January 9, 2019
written by The Accomplices

 CCM + ENTROPY + WLP = THE ACCOMPLICES

Three independent publishing entities with common goals of publishing vital and exciting literature, building and participating in community, and contributing and promoting good literary citizenship, have joined forces.

THE ACCOMPLICES is made up of Civil Coping Mechanisms: publisher & promoter of kick-ass independent literature, Entropy: a magazine and community of contributors that publishes diverse literary and non-literary content, and Writ Large Press: an indie press that uses literary arts and events to resist, disrupt, and transgress.

As we go forward, we will join our ideas, talents, and resources to push even harder in the work that each of us have done in the past, without losing our individual identities and without betraying the work we have each done. We vow to not lose the characteristics that have made each of us unique and important.

From The Accomplices—Janice, Michael, Peter, Judeth, and Chiwan

We’re coping. No, we’re thriving.

January 9, 2019
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The Accomplices LLC is a literary arts partnership and media company dedicated to amplifying marginalized voices and identities, particularly writers of color, through traditional and new media publishing, public engagement, and community building.


CCM + ENTROPY + WLP = THE ACCOMPLICES


The Accomplices is made up of the entities Civil Coping Mechanisms: publisher & promoter of kick-ass independent literature, Entropy: a magazine and community of contributors that publishes diverse literary and non-literary content, and Writ Large Press: an indie press that uses literary arts and events to resist, disrupt, and transgress.

We’re coping. No, we're thriving.

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I am an accomplice, too.

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