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Civil Coping Mechanisms / Entropy / Writ Large Press

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Tag:

Tobias Carroll

tobias carroll
BooksNews

Listen to Tobias Carroll Read an Excerpt of ‘Transitory’

by CCM January 17, 2017
written by CCM

#CopingWith is CCM’s interview series run by managing editor Joanna C. Valente


Tobias Carroll’s book, “Transitory,” came out on August 15, 2016 from CCM. Of the book, Laura van den Berg has said, “Ingenious and mysterious, the stories of Tobias Carroll are spun with quiet loneliness and wild surprise. Transitory is that rare kind of collection where each story stands shining alone and, in the end, forms a beautifully melancholic whole. Tobias Carroll is an original and deeply exciting talent.”

Listen to him read an excerpt below by clicking the link (and you can download it!):

You-In-Reverse_Carroll


tobias carrollTobias Carroll is the author of the short story collection Transitory (Civil Coping Mechanisms, August 15) and the novel Reel (Rare Bird, October 11). He is the managing editor of Vol.1 Brooklyn. His writing has been published by Bookforum, Tin House, Rolling Stone, Hazlitt, Men’s Journal, and more. He grew up in Tinton Falls, NJ and now calls Brooklyn, NY home.

January 17, 2017
tobias carroll
BooksNews

Coping with Tobias Carroll, Author of ‘Transitory’

by CCM November 28, 2016
written by CCM

#CopingWith is CCM’s interview series run by managing editor Joanna C. Valente


Tobias Carroll’s book, “Transitory,” came out on August 15, 2016 from CCM. Of the book, Laura van den Berg has said, “Ingenious and mysterious, the stories of Tobias Carroll are spun with quiet loneliness and wild surprise. Transitory is that rare kind of collection where each story stands shining alone and, in the end, forms a beautifully melancholic whole. Tobias Carroll is an original and deeply exciting talent.”

As such, we interviewed him about his book, although instead of asking boring lit questions, our managing editor Joanna C. Valente asked Tobias about everything else instead, like what his favorite meal and apocalypse plans are.

Here’s what he said:

TransitoryCoverFront

Describe your favorite meal.

On the one hand, I’d go with something savory but a little complicated: there’s a pizza that you can get at a restaurant in my neighborhood, Adelina’s, where the crust is lightly fried, the toppings (spicy meat, cheese) work well together, and the tomato sauce is rich.

On the other hand, I’m also fond of something simple: there’s a bar in my hometown where the bar nachos are basically my definition of comfort food: heaps of cheese and meat, some of them seared to the plate. Delicious. I’ve had some amazing meals that have largely been one-offs; in terms of something that can be replicated, maybe the pizza mentioned above or a Sicilian slice or two from a place in Lincroft, New Jersey. That said, I’ve become fixated more recently on the chechebsa served at brunches at Bunna Cafe in Bushwick. So maybe a blend of the deeply familiar and the newer?

What music do often you write to, if at all?

Lots of ambient and drone work: Nils Frahm and Stars of the Lid (and related projects) are particular favorites. There are certain albums that I love that I can’t write to, and that’s mightily frustrating. Certain composers will also work: Steve Reich, some Bach, some Pärt. Though some of that is related to place, too: I can write at a coffee shop with almost anything on, but at home, it’s a little trickier. I have no idea why.

What are three books that you’ve always identified with?

Annie Proulx’s The Shipping News, Haruki Murakami’s South of the Border, West of the Sun, and Jonathan Lethem’s Chronic City.

Choose one painting that describes who you are. What is it?

This is tough, especially because the artist I’ve been most obsessed with in recent years has been James Turrell. (“I’m like Roden Crater–vast, cosmic, and still in progress!” Wait, no.) Maybe Leonora Carrington’s “Play Shadow”? Something where you can get lost in the details.

Wikiart

Wikiart

 

 

 

 

 

 

 

 

 

 

Choose a gif that encompasses mornings for you.

What do you imagine the apocalypse is like? How would you want to die?

I had a dream about this very topic a couple of months ago. First I was on the earth when things started to simply fall apart; then, I was watching from some vantage point in space (maybe the Moon?) as continents started to crumble. I blame the film Melancholia for making a very specific, very vivid, very visually stunning vision of the end of the world. As for the other part of the question? Lately, I’ve been utterly terrified of dying in my sleep. So I think I’d prefer to have some sort of conscious awareness that this is it for me–preferably in some level of comfort at a ripe old age.

If you could only watch three films for the rest of your life, what would they be?

Three Colors: Red, The Long Goodbye, and Raising Arizona. (The last of those because, well, I’d need something funny in the mix.)

How would you describe your social media persona/role?

Diplomatic and sometimes hesitant to a fault. I sometimes envy my friends who opt for more private social media presences, as I feel like I can’t necessarily be as candid; on the other hand, I think that, by nature, I’m not that candid to begin with. Alternately: sometimes I look back at the columns I wrote for the zine I did in the 90s or the blog I maintained in the early 00s and see someone working a lot of things out in public, sometimes very awkwardly. I’m glad I did it, but I’m also okay with no longer doing it, if that makes sense.

What’s your favorite animal and why?

I’m slightly more of a dog person than a cat person, and recently, I’ve been wondering if I’m making a huge mistake with my life by not being a dog owner. I grew up around dogs–my parents have beagles–and lately, I find myself freaking out a lot when I’m around dogs of all varieties.

What do you carry with you at all times?

Wallet, keys, phone, reading material, and some sort of note-taking device. Which is sometimes the phone, but more often than not is a notebook and pen. Usually all of these things are in a tote bag; when I’m without it, I often end up looking for it when I go to different places. (Such was the case earlier today, when I was doing some errands.) When I worked an office job, I would also usually have some kind of writing device–at the time, that was a tablet and a Bluetooth keyboard–which I’d use after work to get a couple of minutes of writing time in.


tobias carrollTobias Carroll is the author of the short story collection Transitory (Civil Coping Mechanisms, August 15) and the novel Reel (Rare Bird, October 11). He is the managing editor of Vol.1 Brooklyn. His writing has been published by Bookforum, Tin House, Rolling Stone, Hazlitt, Men’s Journal, and more. He grew up in Tinton Falls, NJ and now calls Brooklyn, NY home.

 

 

 

joanna valenteJoanna C. Valente is a human who lives in Brooklyn, New York. She is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (ELJ Publications, 2016), & Xenos (2016, Agape Editions). She received her MFA in writing at Sarah Lawrence College. She is also the founder of Yes, Poetry, as well as the managing editor for Luna Luna Magazine and CCM. Some of her writing has appeared in Prelude, The Atlas Review, The Feminist Wire, BUST, Pouch, and elsewhere. She also teaches workshops at Brooklyn Poets.

November 28, 2016
News

NOW AVAILABLE: The Quarter 3 2016 Catalogue

by CCM August 14, 2016
written by CCM

ThereShouldJoshJen“Espinoza’s debut is a searing interrogation of the world and the self at once. Here, the body is a fixation–as if to look away from it, even briefly, is to risk having it erased. As such, this is a book of unblinking human preservation, and how we trespass ourselves seeking safer spaces. “There is nothing I love more than an honest storm,” Espinoza writes. There Should Be Flowers is a storm to ravage and rearrange us from our crushing certainties. This book doesn’t need a blurb. It simply needs to be read.”
–Ocean Vuong, author of Night Sky with Exit Wounds

Buy | Goodreads

 

TransitoryCoverFront“Ingenious and mysterious, the stories of Tobias Carroll are spun with quiet loneliness and wild surprise. Transitory is that rare kind of collection where each story stands shining alone and, in the end, forms a beautifully melancholic whole. Tobias Carroll is an original and deeply exciting talent.”
–Laura van den Berg, author of Find Me

Buy | Goodreads

 

 

 

blind-spot-cover2-cr“This is a gorgeous slippery novel in the mode of Georges Perec or Magdalena Tulli or Azareen Van der Vliet Oloomi or . . . Harold Abramowitz! I read it with a tumbling sort of pleasure by a small body of water as a hummingbird with a purple throat came and went. It, the bird, seemed, in its hovering, to be trying to read Blind Spot over my shoulder. Is that why it kept coming back? One impossibly exquisite thing seeking another?”
—Danielle Dutton, author of Margaret the First

Buy | Goodreads

 

 

CtchFinal2“A tale of elusive revelations is rendered through interruptions and undercuts in Ctch’s Able To/Always Will. Like the thin lines of this snakelike text, meaning bares itself undeniably and a breath later, twists and coils back into the basket of the charmer. Every assertion is cast in excruciating doubt. Is it 4 am? Am I able to? What is sacred? What is an act? Whether we know for sure or not, we always will. Knowing while not knowing, that’s the paradox that drives this meditation on dialogue in the digital age.”
–Monica McClure, author of Tender Data

Buy | Goodreads

August 14, 2016
News

ANNOUNCING: The 2015 CCM Compendium

by CCM December 7, 2015
written by CCM
The CCM 2015 Compendium, CCM Compendium

Cover design by Ryan W Bradley

CCM is pleased to announce the first annual CCM COMPENDIUM. This is an idea that’s been bouncing around in the back of my mind for at least a year now, and thanks to the help of Ryan W Bradley (who created this fabulous hardcover wraparound cover design) and dozens upon dozens of CCM authors, the idea is now a reality.

Acting as a synergy of present and future, the 2015 CCM COMPENDIUM will feature work by every author published by the press in 2015 as well as samples of work from every author with a forthcoming publication in CCM’s 2016 Catalogue. What does this mean? It means you can expect writing from:

(2015 Catalogue) xTx, Brandi Wells, AT Grant, Andrea Kneeland, Jayinee Basu, Sean H Doyle, Katie Jean Shinkle, M Kitchell, Darby Larson, John Colasacco, Jamie Iredell, Brandon Hobson, Mark Katzman, Ben Brooks, Ryan W Bradley, Kirsten Alene, Brian Oliu, Corey Zeller, and Evan Retzer

(2016 Catalogue) Janice Lee, Johannes Goransson, Alexandra Naughton, Dolan Morgan, Matthew Simmons, Gary J Shipley, Ashley Farmer, Laura Marie Marciano, Justin Sirois, Sara June Woods, Madison Langston, Carolyn Zaikowski, Tobias Carroll, Joshua Jennifer Espinosa, Andrew Miller, Ctch Bsnss, Wendy C Ortiz, Henry Hoke, Helen McClory, and Mathias Svalina

At the conclusion of every yearly Catalogue, CCM will publish a Compendium to celebrate the passing of the torch, of sorts, from one year to the next. Each Compendium will be published in a high quality hardcover edition, designed to sit next to both its representative Catalogue of titles as well as other, future Compendiums. It’s my hope that by offering this showcase, readers will be able to enjoy some of their favorite writers’ work in one convenient place as well as discover (and anticipate) the work of writers they might not have known about prior to the Compendium.

The 2015 CCM COMPENDIUM will be available January 13th 2016 wherever books are sold. We’re coping.

December 7, 2015
accomplices-ramen-cats

The Accomplices LLC is a literary arts partnership and media company dedicated to amplifying marginalized voices and identities, particularly writers of color, through traditional and new media publishing, public engagement, and community building.


CCM + ENTROPY + WLP = THE ACCOMPLICES


The Accomplices is made up of the entities Civil Coping Mechanisms: publisher & promoter of kick-ass independent literature, Entropy: a magazine and community of contributors that publishes diverse literary and non-literary content, and Writ Large Press: an indie press that uses literary arts and events to resist, disrupt, and transgress.

We’re coping. No, we're thriving.

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